000			02038cam a2200181 a 4500
020			_a9780240810898 (pbk. : alk. paper)
040			_cCUS
082			_a070.18 _bRAB/D
100	1		_aRabiger, Michael.
245	1	0	_aDirecting the documentary / _cMichael Rabiger.
250			_a5th ed.
260			_aAmsterdam ; _aBoston : _bFocal Press/Elsevier, _cc2009.
300			_axii, 660 p. _bill. ; _c26 cm.
504			_aIncludes bibliographical references and index.
505			_aBOOK I: FUNDAMENTALS PART1; YOU AND YOUR IDEAS 1 The Director's Role 2 Defining Your Artistic Identity 3 Developing Your Story Ideas 4 Proposing and Pitching a Short Documentary PART 2: DOCUMENTARIES AND FILM LANGUAGE 5 Documentary Language 6 Elements and Grammar PART 3: PRE PRODUCTION 7 Research 8 Developing a Crew PART 4: PRODUCTION 9 Camera Equipment 10 Lighting 11 Location Sound 12 Directing PART 5: POST PRODUCTION 13 Editing: From Start to Viewing the First* Assembly 14 Editing: The Process of Refinement 15 Editing: From Fine Cut to Sound Mix 16 Titles and Acknowledgments BOOK II: ADVANCED ISSUES PART 6: DOCUMENTARY AESTHETICS 17 Point lew and the Storyteller 1 8 Development, Time, and Story Structure 19 Form, Control, and Style 20 Reenactment, Reconstruction, and Docudrama PART 7: ADVANCED PRODUCTION ISSUES PART 7A. ADVANCED PRE PRODUCTION 21 Advanced Research 22 Values, Ethics, and Choices 23 Proposing an Advanced Documentary 24 Preparing to Direct PART 7B. ADVANCED PRODUCTION 25 Optics 26 Advanced Cameras and Equipment 27 Advanced Location Sound 28 Organization, Crew, and Procedures 29 Advanced Directing 30 Conducting and Shooting Interviews PART 7C. ADVANCED POST PRODUCTION 31 Transcript to Film Script 32 Creating Narration 33 Using Music and Working with a Composer 34 Editing: Refinements and Structural Problems PART 8: EDUCATION AND STARTING YOUR CAREER 35 Education 36 From School to Film Industry
650		0	_aDocumentary Films _xProduction and direction.
942			_cL2C2
999			_c4318 _d4318