000			02193cam a2200253 i 4500
999			_c3962 _d3962
020			_a9780199670567
020			_a0199670560
040			_cCUS
082	0	4	_a880.9 _bMAR/A
100			_aedited by Marmodoro, Anna and Hill, Jonathan
245	0	4	_aThe author's voice in classical and late antiquity / _cedited by Anna Marmodoro and Jonathan Hill
250			_aFirst edition.
260			_aNew York: _bOxford University Press, _c2013.
300			_axvii, 420 pages: _billustrations; _c22 cm.
504			_aIncludes bibliographical references and index.
505			_aI. AUTHORS AND THEIR MANIFESTATIONS 1.1 The third person 1. The poet in the Iliad Barbara Graziosi 2. Xenophon's and Caesar's third-person narratives—or are they? Christopher Felling 1.2 The dialogic voice 3. Listening to many voices: Athenian tragedy as popular art William Allan and Adrian Kelly 4. 'When I read my Cato, it is as if Cato speaks': the birth and evolution of Cicero's dialogic voice Sarah Culpepper Stroup 5. Author and speaker(s) in Horace's Satires 2 Stephen Harrison 1.3 The first person 6. 'I, Polybius': self-conscious didacticism? Georgina Longley 7. Drip-feed invective: Pliny, self-fashioning, and the Regulus letters Rhiannon Ash 8. An I for an I: reading fictional autobiography Tim Whitmarsh II. AUTHORS AND AUTHORITY 9. Ille ego qui quondam: on authorial (an)onymity Irene Peirano 10. Authorship and authority in Greek fictional letters A. D. Morrison 11. Plato's religious voice; Socrates as godsent, in Plato and the Platonists Michael Erler 12. When the dead speak: the refashioning of Ignatius of Antioch in the long recension of his letters Mark Edwards 13. Ars in their 'I's: authority and authorship in Graeco-Roman visual culture Michael Squire
650		0	_aAuthorship _xHistory
650		0	_aGreek literature _xHistory and criticism.
650		0	_aLatin literature _xHistory and criticism.
942			_cL2C2