000			03907nam a2200145Ia 4500
999			_c190325 _d190325
020			_a9781138781306
040			_cCUS
082			_a070.4497960973 _bOWE/T
100			_aOwens, Jim
245		0	_aTelevision sports production/ _cJim Owens
250			_a5th ed.
260			_aNew York: _bFocal Press, _c2015.
300			_a276 p.
505			_aPART 1 INTRODUCTION TO REMOTE PRODUCTION What is Remote Production? Live-to-Tape 4 Remote versus Studio Production 4 Television Sports Personnel Personnel Descriptions 7 Freelance Personnel 16 What is Television? Defining Television 21 MultiplatForm Television 22 Platform Integration 23 How is Television Changing? 24 Television Formats 25 Future Television: What Will Come Next? 29 The Second Screen and Social Media What Makes a Good Second Screen? 32 Social Media 38 Balancing the Budget 39 The Mobile Production Unit The Remote Truck Mobile Unit 43 ^ Inside a Remote Truck 47 Outside the Remote Truck 49 The Compound 49 Virtual Remote Production 51 The Flypack 52 All-in-One Mobile Production Unit 53 Computer-Based Mobile Production Unit 55 Communication Devices 56 PART 2 PLANNING Planning the Production Coordination Meetings 62 Remote Surveys 63 The Contacts 64 Venue Access 65 Location Costs 65 Eiectrical Power 65 Other Areas for Survey Consideration 65 Program Transmission 67 Other Areas that Significantly Impact the Survey 71 Location Sketch 71 Backup Plans 71 Cameras Camera Placement 75 Types of Cameras 76 Camera Setup Checklist 88 Camera Shots 88 Camera' Movement 89 Camera/Lens Moves 90 Shooting Sports 93 Composition 93 Caring for the Camera 95 Lighting indoor Venue 97 Outdoor Venue 97 Other Lighting Concerns 98 Audio Production Stereo Audio for Television 103 Basic 5.1 Surround Sound 104 Audio Levels 105 Microphone Pickup Patterns 105 Microphone Sound-Generating Elements 105 Types of Microphones 106 Phantom Power \ \2: Microphone Accessories 1 12 Microphone Placement 1 14 Gamestime Audio 1 17 Communications (Intercom) Systems 1 19 Prerecorded Audio 121 Graphics Television Graphics Goals 124 Tips on Making Great TV Graphics 126 Viewer Enhancement Tools 127 Technology Summary 130 Preproduction and Setup Production Meetings 131 The Show Format 131 Equipment Setup 133 Cabling 133 Camera Meetings 134 Facilities Check; 140 Schedule 141 -; Rehearsals 142 PART 3 CREATING THE PRODUCTION The Production Producing the Remote 147 Directing the Remote 148 Types of Sports;Action 148 Action Flow 148 ; Stop-and-Go Sports 149 Directing Stop-and-Go Action 149 Directing Emphasis on Scoring 151 Pumping 152'' Continuous Action Sports 153 Camera Action Tends to Be Rapid 155 Increase in Shot Size 155 s Camera Changes During Action 155 Team and Individual Sports 156 Building Emotional involvement 156 Dealing with the Dominant Player 157 Limited Space for Coverage 157 Horizontal versus Vertical versus Circular Action 158 Coverage Design 161 Needs of the Audience 161 Directing Style 162 Facilities and Coverage 163 Directing Cameras 163 Directing Replays 166 Directing Graphics 169 Shading 169 The Crew 169 Directing: Telling the Story Understanding Story 172 "We Are Going to Add Show Business to Television Sports" 172 The Sports Director's Role as a Storyteller 173 Equipment Enhancement 174 Directing is Like Conducting a Symphony 175 Sports Announcing Play-by-Play Sportscast Training 1 79 Research 180 Television Announcer Sports Cliches 183 Announcers and the Broadcast Booth 183 Interviews 184 spotters 187 Post production Editing Guidelines 191 Production Safety Trips and Slips 196 Weight 196 Hearing 196 Electrical Power 196 Cables , 198 Weather 198 Heights' r98 Hazardous Areas 199 Budgeting for the Remote Budgeting Case Study 201 PART 4 HISTORY OF SPORTS TELEVISION Milestones in Sports Broadcasting
942			_cWB16