| 000 | 01836nam a2200133Ia 4500 | ||
|---|---|---|---|
| 020 | _a9781138795242 | ||
| 040 | _cCUS | ||
| 082 |
_a791.43019 _bPIO/E |
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| 245 | 0 |
_aEmbodied encounters: New approaches to psychoanalysis and cinema/ _cPiotrowska, Agnieszka |
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| 260 |
_aLondon: _bRoutledge, _c2015. |
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| 300 | _a236 p. | ||
| 505 | _a1 Catherine Breillat and Courbet's L 'origine du monde | The origin of the world\ (1866) EMMA WILSON 2 NachtrSglichkeit and aprks coup in documentary film: the suffering of Aiieen Wuornos as told by Nick Broomfield AGNIESZKA PIOTROWSKA 3 The ventriloquism of documentary first-person speech and the self-portrait film ELIZABETH COWIE 4 Identification and mutual recognition In Darren Aronofsky's Black Swan JULIE SEXENY 5 Terrence Malick's diptych JOHN IZOD AND JOANNA DOVALIS 6 Therapy and cinema: making images and finding meanings LUKE HOCKLEY 7 Psychoanalytic soundings: the case of The Dybbuk STEPHEN FROSH 8 Process and medium in the practice of filmmaking: the work of Jayne Parker. CARLA AMBR6SI0 GARCIA 9 Zero Dark Thirty, 'war autism* or a Lacahian ethical act? AONIESZKA PIOTROWSKA 10 An atheist's guide to feminine jouissance: on Black Swan and the other satisfaction BEN TYRER 11 Documentary and psychoanalysis: putting the love back in epistephilia MICHAEL RENOV 12 Douglas Gordon and Cory Arcangel: breaking the toy ROBERT BURGOYNE 13 Mirror images: D.W. Winnicott in the visual field VICKY LEBEAU 14 Pinning a tale: the screen, the donkey and the MacGufiin CAROL MACGILLIVRAY 15 The poetics of maternal loss in Tarkovsky's The Mirror HELENA BASSIL-MOROZOW , 16 Talking about Kevin: first-, second- and third-person narratives NAOMI SEGAL 17 This book has no pictures (a visual documentary of psychoanalysis) NICHOLAS MUELLNER | ||
| 942 | _cWB16 | ||
| 999 |
_c190160 _d190160 |
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