| 000 | 00401nam a2200133Ia 4500 | ||
|---|---|---|---|
| 999 |
_c186318 _d186318 |
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| 020 | _a0415539560 | ||
| 040 | _cCUS | ||
| 082 |
_a809.933578 _bBUS/P |
||
| 100 | _aBushnell, Cameron Fae. | ||
| 245 | 0 |
_aPostcolonial readings of music in World literature: turning empire on its ear/ _cCameron Fae Bushnell. |
|
| 260 |
_aNew York: _bRoutledge, _c2013. |
||
| 300 |
_aviii, 204 p. ; _c24 cm. |
||
| 440 | _aRoutledge interdisciplinary perspectives on literature, 12. | ||
| 505 | _aIntroduction: Beyond Contrapuntalism A Politics of Alterity in World Literature Part I: The Amateurs. Borrowing from History, History from Borrowing Opera on Banjo in J.M. Coetzee's Disgrace Subjectivity and the Genre of Nocturnes in Chang-rae Lee's Gesture Life Music, Muteness, and Listening in Hulme's the bone people and Campion's The Piano. Part II: The Virtuosi. (De- ) Composing the Nation Noise, Ornamentation, and Repetition in McEwan's Amsterdam and MacLaverty's Grace Notes The Art of Tuning: A Politics of Exile in Mason's The Piano Tuner and Seth's An Equal Music Articulation and Allegory in Rushdie's The Ground Beneath Her Feet Coda. | ||
| 650 | _aMusic in literature | ||
| 650 | _aPostcolonialism in literature | ||
| 650 | _aLiterature | ||
| 942 |
_cWB16 _01 |
||