000			00330nam a2200133Ia 4500
999			_c177427 _d177427
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082			_a306 _bGUI/P
245		0	_aPopular culture/ _ba reader _cGuins,Raiford [ed.]
260			_aLondon: _bSage, _c2005.
300			_a547
505			_a/. DI'JLINEATING: CHITl IRE-MASS-POPHLAR 1. Raymond Williams. 'Culture' and 'Masses' From: Keyivords: A Vocabulary of Culture and Society. London: Fontana Press, 1976. 2. F.R. Leavis. 'Mass Civilisation and Minority Culture' From: Mass Civilisation and Minority Culture. Cambridge: Minority Press, 1930. 3. Dwight Macdonald. 'A Theory of Mass Culture' From: Mass Culture: The Popular Arts in America. Ed. Bernard Rosenberg and David Manning White. New York: The Free Press, 1957. 4. Tania Modleski. 'Femininity as Mas[slquerade: A Feminist Approach to Mass Culture' PTom: Pligh Theory/Low Culture: Analyzing Popular Television and Film. Ed. Colin MacCabe. Manchester: Manchester University Press, 1986. 5. Morag Shiach. 'The Popular' From: Discourses on Popular Culture: Class, Gender and History in Cultural Analysis, 1730 to the Present. London: Polity Press, 1989. / 6. Stuart Hall. 'Notes on Deconstructing "The Popular"' From: People's History and Socialist Theory. Ed. Raphael Samuel. London: Routledge, 1981. 7. Juan Flores. ' "Pueblo Pueblo": Popular Culture in Time' From; From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity. New York: Columbia University Press, 2000. II. COMMODIFYING-. THE COMMODITY, CULTURE AND SOCIAL UFE 8. Karl Marx. 'The Fetishism of Commodities and the Secret Thereof From: Capital: Volume One. A Critical Analysis of Capitalist Production (Orig. 1867). Reprinted in , The Marx-Engels Reader. R. Tucker (ed). London: W.W. Norton & Co. 1972. 9. Walter Benjamin. 'The Work of Art in the Age of Mechanical Reproduction' From: Illuminations. Ed. H. Arendt and trans. H. Zohn. London: Fontana, 1992 (orig. 1936). 10. Theodor W. Adorno. 'Culture Industry > Reconsidered' From: The Culture Industry: Selected Essays on Mass Culture. London: Routledge, 1991 (orig. English trans., 1975). 11. Guy Dehord. 'The Commodity as Spectacle' From: Society of the Spectacle. Detroit, MI: Black and Red, 1970. 12. Fredric Jameson. 'Reification and Utopia in Mass Culture' From: Signature of the Visible. London: Routledge, 1990. 13. Lisa Lowe and David Lloyd. 'Introduction to The Politics of Culture in the Shadow of Late Capital' From: The Politics of Culture in the Shadow of Late Capital. Ed. Lisa Lowe and David Lloyd. Durham. NC: Duke University Press, 1997. lit. M/MiKI'lTING: SOCIO-KCONOMIC CONSIDERATIONS OF POPUI.AR CUFTURF 14. Paul Smith. 'Tommy Hilfiger in the Age of Mass Customization' From: No Sweat: Fashion, Free Trade, and the Rights of Garment Workers. Ed. Andrew Ross. New York: Verso, 1997. 15. Ellis Cashmore. 'America's Paradox' From: The Black Culture Industry. London: Routledge, 1997. / 16. Inderpal Grewal. 'Traveling Barbie: Indian Transnationality and New Consumer Subjects' From: positions 7.3, 1999. 17. Janet Wasko. 'Corporate Disney in Action' From: Understanding Disney: The Manufacture of Fantasy. Cambridge: Polity, 2001. 18. Henry Yu. 'How Tiger Lost His Stripes: Post-Nationalist American Studies as a History of Race, Migration, and the Commodification of Culture' From: Post-Nationalist American Studies. Ed. J.C. Rowe. Berkeley, CA: University of California Press, 2000. I\. PRACTlCtNG: POPl I,AR TASl FS AND WAYS OF CO.NSUMINC 19. John Fiske. 'Popular Discrimination' From: Modernity and Mass Culture. Ed. James Naremore and Patrick Brantlinger. Bloomington, IN: Indiana University Press, 1991. 20. Laura Kipnis. '(Male) Desire and (Female) Disgust: Reading Hustler' From: Cultural Studies. Ed. Lawrence Grossberg et al. London: Routledge, 1992. 21. Paul Willis. 'Symbolic Creativity' From: Common Culture: Symbolic Work at Play in the Everyday Cultures of the Young. Milton Keynes; Open University Press, 1990. 22. Henry Jenkins. 'Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching' From: Close Encounters: Film, Feminism, and Science Fiction. Ed. Constance Penley et al. Minneapolis, MN: University of Minnesota Press, 1991. 23. Joan Hawkins. 'Sleaze Mania, Euro-Trash and High Art: The Place of European Art Films in American Low Culture' / From: F/im Quarfer/y 53.2, 2000. V. VOICING. IDENTl riES AND ARTICULATION 24. Stuart Hall. 'What is this "Black" in Black Popular Culture?' From: Black Popular Culture. Ed. Gina Dent. Seattle, WA: Bay Press, 1992. 25. Gayatri Gopinath. '"Bombay, UK, Yuha City": Bhangra Music and the Engendering of Diaspora' From: Diaspora 4.3, 1995. 26. Lauren Berlant. 'The Face of America and the State of Emergency' From: The Queen of America Goes to Washington City: Essays on Sex and Citizenship. Durham, NG: Duke University Press, 1997. 27. Jose Estehan Munoz. 'Pedro Zamora's Real World of Counterpuhlicity: Performing an Ethics of the Self From: Disidentifications: Queers of Color and the Performance of Politics. Minneapolis, MN: University of Minnesota Press, 1999, 28. Richard Fung. 'Looking for My Penis: The Eroticized Asian in Gay Video Porn' From: How Do I Look? Queer Film and Video. Ed. Bad-Object Choices. Seattle, WA: Bay Press, 1991. 17. STiXING: SIiBClILTIJRE AND POPULAR PERFORMANCE 29. Dick Hebdige. 'Subculture' From: Subculture: The Meaning of Style. London: Routledge, 1979. 30. Angela McRobbie. 'Second-Hand Dresses and the Role of the Ragmarket' From: Zoot Suits and Second-Hand Dresses: An Anthology of Fashion and Music. Ed. Angela McRobbie. Boston, MA: Unwin Hyman, 1988. 31. Sarah Thornton. 'The Media Development of "Subcultures" (or the Sensational Story of "Acid House")' From: Club Cultures: Music, Media and Subcultural Capital. Hanover, NH: Wesleyan University Press, 1996. 32. Tricia Rose. 'A Style Nobody Can Deal With: Politics, Style and the Postindustrial City in Hip Hop' From: Microphone Fiends: Youth Music and Youth Culture. Ed. Andrew Ross and Tricia Rose. New York and London: Routledge, 1994. 33. Cynthia Fuchs. 'If I Had a Dick: Queers, Punks, and Alternative Acts' From: Mapping the Beat: Popular Music and Contemporary Theory. Ed. Thomas Swiss, John Sloop and Andrew Herman. Oxford: Blackwell Publishers, 1998. 34. Judith Halberstam. 'Drag Kings: Masculinity and Performance' From: Female Masculinity. Durham, NC: Duke University Press, 2000. VII. LOCATING: SPACE, PLACE, AND POWER 35. Michel de Certeau. 'Walking in the City' From: The Practice of Everyday Life. Berkeley, CA: University of California Press, 1984. 36. Michael Nevin Willard. 'Seance, Tricknowlogy, Skateboarding, and the Space of Youth' From: Generations of Youth: Youth Cultures and History in Twentieth-Century America. Ed. Joe Austin and Michael Nevin Willard. New York: New York University Press, 1998. 37. Victor Hugo Viesca. 'Straight Out the Barrio: Ozomatli and the Importance of Place in the Formation of Chicano/a Popular Culture in Los Angeles' From: Cultural Values 4.4 (October), 2000. / 38. Paul Gilroy. 'Wearing Your Art on Your Sleeve: Notes Towards a Diaspora History of Black Ephemera' From: Small Acts: Thoughts on the Politics of Black Cultures. London: Serpent's Tail, 1993. 39. George Lipsitz. 'Diasporic Noise: History, Hip Hop, and the Post-Colonial Politics of Sound' From: Dangerous Crossroads: Popular Music, Postmodernism and The Poetics of Place. New York and London: Verso, 1994. 40. Lisa Nakamura. 'Head-Hunting on the Internet: Identity Tourism, Avatars, and Racial Passing in Textual and Graphic Chat Spaces' From: Cybertypes: Race, Ethnicity, and Identity on the Internet. London: Routledge, 2002.
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