000 | 01290pam a2200325 a 4500 | ||
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999 |
_c165486 _d165486 |
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020 | _a1859730418 | ||
020 | _a0854968776 | ||
040 | _cCUS | ||
082 | 0 | 0 |
_a780 _bSTO/E |
245 | 0 | 0 |
_aEthnicity, identity, and music: the musical construction of place/ _cedited by Martin Stokes. |
260 |
_aOxford, UK ; _aProvidence, RI : _bBerg, _c1994. |
||
300 |
_ax, 212 p. ; _c23 cm. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | _aM. Stokes, Introduction: Ethnicity, Identity and Music - M. Chapman, Thoughts on Celtic Music - J. Baily, The Role of Music in the Creation of an Afghan National Identity, 1923-73 - Z. Mach, National Anthems: The Case of Chopin as a National Composer - S. A. Reily, Macunaima's Music: National Identity and Ethnomusicological Research in Brazil - M. Stokes, Place, Exchange and Meaning: Black Sea Musicians in the West Coast of Ireland - S. Cohen, Identity, Place and the 'Liverpool Sound' - F. Magowan, 'The Land is our M‰rr (Essence); It Stays Forever': The Yothu-Yindi Relationship in Australian Aboriginal Traditional and Popular Musics - P. Parkes, Personal and Collective Identity in Kalasha Song Performance: The Significance of Music-making in a Minority Enclave - H. La Rue, Music, Literature and Etiquette: Musical Instruments and Social Identity from Castiglione to Austen | ||
650 | 0 | _aMusic and anthropology. | |
650 | 0 | _aEthnomusicology. | |
650 | 0 | _aEthnicity in music. | |
650 | 0 | _aIdentity (Philosophical concept) | |
700 | 1 | _aStokes, Martin. ed. | |
942 | _cWB16 |