000			01971nam a2200181Ia 4500
999			_c163644 _d163644
020			_a8173043485
040			_cCUS
082			_a780.07254 _bAHM/R
100			_aAhmad, Najma Perveen _97179
245		0	_aResearch methods in Indian music/ _cNajma Perveen Ahmad
250			_a2nd ed.
260			_aNew Delhi: _bManohar, _c2002.
300			_a136 p. _bill.; _c23 cm.
505			_a1. WHATIS RESEARCH? 15 Purpose of Research 19 TVpes of Research 22 Historical Research 22 Descriptive Research 23 Ex Post Facto Research 23 Analytical Research 24 Experimental Research 24 Pure and AppHed Research 25 Fundsgnental Research 26 Action Research 27 2. RESEARCH PROCESS . 29 3. MOTIVATION FOR RESEARCH 34 4. RESEARCHDESIGN 42 Exploratory or Formulative Studies 45 ' Descriptive Studies 48 Causal Studies 49 5. SELECTIONAND FORMULATION OF RESEARCH TOPIC 52 Selection of Research Problem 52 Formulation of a Research Problem 58 Literature Survey 61 6. HYPOTHESIS ^ 63 Importance and Scope of Hypothesis 63 Types of Hypotheses 64 7. METHODS OF DATA COLLECTION 68 Sampling 71 Literature Survey 73 Observational Methods 74 The Questionnaire 78 Interview Method 82 Schedule and Check-list 86 Case Study Method 87 Data Collection in Music 88 8. SOURCES OF DATA FOR RESEARCH IN INDIAN MUSIC Qj Sculpture 92 Painting 99 The Frescoes 102 Palm Leaf Paintings 103 Mughal Miniature Paintings 104 Ragamala Paintings 106 Mewar School 108 Bundiand Kotah Style 108 Malwa Style 109 Marwar Style 109 Bikaner Style 109 Jaipur (Amber) Style 109 Pahari Style (Basohli and Kangra) 110 Modern Style of Painting 111 Manuscripts 112 Oral Tradition 114 9. RESEARCH ON THE INTERNET 118 The Internet 118 Types of Information Sources Available 119 Evaluation of Information on the Internet 121 Security and Legal Issues 122 Issues Related to Effective use of the Internet for Research 123 10. SYNOPSIS: THE RESEARCH PROPOSAL 124
650			_aMusicology _97180
650			_aIndia
942			_cWB16 _03