000			00345nam a2200133Ia 4500
999			_c160123 _d160123
020			_a0745319920
040			_cCUS
082			_a335.4 _bWAY/U
245		0	_aUnderstanding film marxist perspectives/ _cedited by Mike Wayne.
260			_aLondon: _bPluto Press, _c2005.
300			_a253 p.
505			_aIntroduction: Marxism, Film and Film StudiesMike Wayne1. Benjamin/Adorno/Brecht and Film b yEsther Leslie2. Gramsci, Sembene, and the Politics of Culture by Marcia Landy3. The Althusserian moment revisited (again). by Deborah Philips4. Jameson, Postmodernism and the hermeneutics of paranoia by Mike Wayne5. 'Making It': Reading Boogie Nights and Blow as Symbolic Economies of Surplus and Sentiment by Anna Kornbluh6. The Critics Who Knew Too Little: Hitchcock and the Absent Class Paradigm by Colin McArthur7. Economic and Institutional Analysis: Hollywood as Monopoly Capitalism by Douglas Gomery8. Hollywood, Cultural Policy Citadel by Toby Miller9. State Cinema and Passive Revolution in North Korea by Hyangjin Lee10. Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou's The Story of Qiu Ju by Xudong Zhang11. Cinemas in Revolution: 1920s Russia, 1960s Cuba by Michael ChananNotes on ContributorsIndex
650			_a Motion pictures -- Political aspects.
650			_a družbeni vidiki -- ideološka vprašanja -- tehnologija filma -- ekonomija filma -- zgodovinski aspekti -- zborniki
650			_afilm -- teorija filma -- analize filmov -- filmske študije -- analitični pristopi -- marksizem -- film in politika -- politični film
650			_aSocialism and motion pictures.
700			_a Wayne, Mike ed.
942			_cWB16