000			00386nam a2200133Ia 4500
999			_c149832 _d149832
020			_a9780748619931
040			_cCUS
082			_a646.72 _bKAR/C
100			_aKarim - Cooper, Farah.
245		0	_aCosmetics in Shakespearean and Renaissance drama/ _cFarah Karim-Cooper.
260			_aEdinburgh: _bEdinburgh University Press, _c2006.
300			_ax, 221 p. : _bill. ; _c24 cm.
505			_aAcknowledgements; List of Illustrations; Chapter 1: Defining Beauty in Renaissance Culture; I. 'Beauty's red and virtue's white': Treatises on Beauty; II. The Poetry of Love, Beauty and Courtship; III. Beauty in Pictures: Plays and Emblem Books; Chapter 2: Early Modern Cosmetic Culture; I. 'The Devil's craft': The Opposition to Cosmetics; II. 'She Shal Appeare to be the Age of Fifteene Yeares'; III. Painting the Queen; Chapter 3: Cosmetic Restoration in Jacobean Tragedy; I. 'The artificial shine': Painted Language; II. Cosmetic Revenge Tragedy; III. 'Dainty preserved flesh': Fetishising the Painted Body; IV. Catholic Ritual and Cosmetics; Chapter 4: John Webster and the Culture of Cosmetics; I. Beautified and Heroic: Webster's Painted Ladies; II. Rethinking Webster's Imagery; A. Cosmetics and Catholic Imagery; B. Cosmetics and Witchcraft; Chapter 5: Jonson's Cosmetic Ritual; I. 'Pieced Beauty': Cosmetics as Prosthetics; II. Constructing Gender in Jonsonian Comedy; III. Jonson and the Cosmetics Debate; Chapter 6: Cosmetics and Poetics in Shakespearean Comedy; I. Painting Players; II. Beautifying Poetic Drama; Chapter 7: 'Deceived with ornament': Shakespeare's Venice; I. Cosmetic Materials in The Merchant of Venice; II. Cosmetic Symbolism and Othello; Chapter 8: 'Flattering Unction': Cosmetics in Hamlet; I. Appearances and Realities: Painted Faces in Hamlet; II. Mousetraps; III. Cosmeticised bodies and the female interior; A. Inside Gertrude's Closet; B. Ophelia's Beautifying Craft; Epilogue; Bibliography.
650			_aEnglish drama--Early modern and Elizabethan
650			_aBeauty, Personal, in literature
650			_aCosmetics
650			_aShakespeare, William, 1564-1616
650			_aBeauty, Personal
942			_cWB16