| 000 | 00380nam a2200133Ia 4500 | ||
|---|---|---|---|
| 999 |
_c148647 _d148647 |
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| 020 | _a9780226503998 | ||
| 020 | _a01985655362 | ||
| 040 | _cCUS | ||
| 082 |
_a306 _bMAN/C |
||
| 100 | _aManuel, Peter | ||
| 245 | 0 |
_aCassette culture: popular music and technology in North India/ _cPeter Manuel |
|
| 260 |
_aNew Delhi: _bOxford University Press, _c1993. |
||
| 300 |
_axix, 302 p. : _bill. ; _c24 cm. |
||
| 440 | _a(Chicago studies in ethnomusicology) | ||
| 505 | _a1. Introduction: Theoretical Perspectives-- 2. The Impact of Cassettes on the International Recording Industry-- 3. The Music Industry and Film Culture up to 1975-- 4. The Advent of Cassettes: New Alternatives to His Master's Voice-- 5. Cassettes and the Modern Ghazal-- 6. Devotional Music-- 7. The Politics of Parody: Tune-Borrowing in Popular and Folk Music-- 8. Regional Musics-- 9. Rasiya: A Case Study in Commercialization-- 10. Cassettes and Sociopolitical Movements-- 11. Conclusions: A Micro-Medium in Macro-Perspective-- Notes-- Glossary of Indian-Language Terms-- Bibliography-- Some Recent Parodies in Film Music-- Index. | ||
| 650 | _aMusic--Social aspects | ||
| 650 | _aSound recording industry | ||
| 650 | _aAudiotapes | ||
| 650 | _aMass media and music | ||
| 942 | _cWB16 | ||