000			00367nam a2200145Ia 4500
999			_c145999 _d145999
020			_a9781412901512 (4v.set)
040			_cCUS
082			_a300.72 _bHAM/V
245		0	_aVisual research methods. Vol. 1/ _cedited by Peter Hamilton
260			_aLondon: _bSAGE Publications, _c2006.
300			_a412 p.
505			_a Introduction/ Peter Hamilton -- Part One: Classical Historical Statements Panopticon/ Jeremy Bentham -- Basic Concepts of Peircean Sign Theory/ C S Peirce -- Personal Identification and Description/ Francis Galton -- The Identification of the Criminal Classes/ A Bertillon -- Criteria of Negro Art/ W.E.B. Du Bois -- First Principles of Documentary/ J Grierson -- The Work of Art in the Age of Mechanical Reproduction/ W Benjamin -- Gothic Architecture and Scholasticism/ E Panofsky -- Pour en finir avec la profondeur de champ/ A Bazin -- Photographing Social Circumstance and Interaction/ J Collier -- Encoding and Decoding/ S Hall -- Photography and Sociology/ H S Becker -- Style as Evidence/ J Prown -- On the Visual Constitution of Society: The Contributions of Georg Simmel and Jean-Paul Sartre to a Sociology of the Senses/ D Weinstein & M Weinstein -- On Photography, 'Semiologie' and 'Sociologie'/ E Neiva -- Cold Eye/ J Stallabrass -- Classification, Charisma, and Celebrity: Photography, Individualism and the American Frontier/ B S Turner Part Two: The Objectivity of the Visual The Great Family of Man/ Roland Barthes -- Power and Photography: Part One - A Means of Surveillance: The Photograph as Evidence in Law/ J Tagg
700			_aHamilton, Peter, ed.
942			_cBOOKS