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Experience and meaning in music performance/ edited by Martin Clayton, Byron Dueck, and Laura Leante

Contributor(s): Clayton, Martin, ed | Dueck, Byron, ed | Leante, Laura, ed Material type: Text

TextPublication details: New York: Oxford University Press, 2013Description: xi, 232 p. : ill. ; 24 cmISBN: 9780199811311Subject(s): EthnomusicologyDDC classification: 781.11

Contents:

Acknowledgements ; List of contributors ; About the companion web site ; Chapter 1. Introduction (Martin Clayton, Byron Dueck and Laura Leante) ; Chapter 2. Entrainment, ethnography and musical interaction (Martin Clayton) ; Chapter 3. Social co-regulation and communication in North Indian duo performances (Nikki Moran) ; Chapter 4. Groove: temporality, awareness and the feeling of entrainment in jazz performance (Mark Doffman) ; Chapter 5. Performing the Rosary: meanings of time in Afro-Brazilian Congado music (Glaura Lucas) ; Chapter 6. Performance and shame (Andy McGuiness) ; Chapter 7. Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music (Byron Dueck) ; Chapter 8. Imagery, gesture and listeners' construction of meaning in North Indian classical music (Laura Leante) ; Chapter 9. Embodiment and movement in musical performance (Martin Clayton and Laura Leante) ; References

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	781.11 CLA/W (Browse shelf(Opens below))	Available		P41097

Total holds: 0

Acknowledgements ; List of contributors ; About the companion web site ;

Chapter 1. Introduction (Martin Clayton, Byron Dueck and Laura Leante) ;

Chapter 2. Entrainment, ethnography and musical interaction (Martin Clayton) ;

Chapter 3. Social co-regulation and communication in North Indian duo performances (Nikki Moran) ;

Chapter 4. Groove: temporality, awareness and the feeling of entrainment in jazz performance (Mark Doffman) ;

Chapter 5. Performing the Rosary: meanings of time in Afro-Brazilian Congado music (Glaura Lucas) ;

Chapter 6. Performance and shame (Andy McGuiness) ;

Chapter 7. Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music (Byron Dueck) ;

Chapter 8. Imagery, gesture and listeners' construction of meaning in North Indian classical music (Laura Leante) ;

Chapter 9. Embodiment and movement in musical performance (Martin Clayton and Laura Leante) ; References

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