Practical art of motion picture sound/ David Lewis Yewdall

Chapter 1: The Empowerment of SoundChapter 2: Our Amateur BeginningsChapter 3: The Passing of a Tradion - and coming of AgeChapter 4: Success or Failure: Before the Camera Even RollsChapter 5: The Challenging Battlefield of ProductionChapter 6: From the Set to the LaboratoryChapter 7: Picture Editorial - and the use of the Sound MediumChapter 8: Temp Dubs and Test Screenings: - A Critical Objective ViewChapter 9: Spotting the Picture -- for Sound and MusicChapter 10: Custom Recording Sound Effects -- The Real Fun and AdventureChapter 11: the Sound Librarian : the curator of an audio empireChapter 12: Sound Design -- Myths and RealitiesChapter 13: Sound Editorial : Traditional ApproachChapter 14: Sound Editorial : Ultra Low-Budget StrategiesChapter 15: Dialog Editors -- Hollywood's Unsung HeroesChapter 16: ADR -and- Looping -- Getting the Lips to Flap in SyncChapter 17: FOLEY : The Art of Footsteps, Props and Cloth MovementChapter 18: Nonlinear -- the Digital WorkstationChapter 19: The Music Composer -- Audio Collaboration or Mud and DestructionChapter 20: The Rerecording Stage -- Predubbing and the Final MixChapter 21: 5.1 -- Audio Restoration and Emerging Audio Technologies Chapter 22: The venerable Nagra IV-S ( analog )Chapter 23: The new recording hot-rod -- the Nagra V (digital)Glossary of TermsAudio-DVD Companion