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Postcolonial readings of music in World literature: turning empire on its ear/ Cameron Fae Bushnell.

By: Bushnell, Cameron FaeMaterial type: Text

TextSeries: Routledge interdisciplinary perspectives on literature, 12Publication details: New York: Routledge, 2013Description: viii, 204 p. ; 24 cmISBN: 0415539560Subject(s): Music in literature | Postcolonialism in literature | Literature DDC classification: 809.933578

Contents:

Introduction: Beyond Contrapuntalism A Politics of Alterity in World Literature Part I: The Amateurs. Borrowing from History, History from Borrowing Opera on Banjo in J.M. Coetzee's Disgrace Subjectivity and the Genre of Nocturnes in Chang-rae Lee's Gesture Life Music, Muteness, and Listening in Hulme's the bone people and Campion's The Piano. Part II: The Virtuosi. (De- ) Composing the Nation Noise, Ornamentation, and Repetition in McEwan's Amsterdam and MacLaverty's Grace Notes The Art of Tuning: A Politics of Exile in Mason's The Piano Tuner and Seth's An Equal Music Articulation and Allegory in Rushdie's The Ground Beneath Her Feet Coda.

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	809.933578 BUS/P (Browse shelf(Opens below))	Checked out	08/02/2021	P41332

Total holds: 0

Introduction:

Beyond Contrapuntalism

A Politics of Alterity in World Literature

Part I: The Amateurs. Borrowing from History, History from Borrowing

Opera on Banjo in J.M. Coetzee's Disgrace

Subjectivity and the Genre of Nocturnes in Chang-rae Lee's Gesture Life

Music, Muteness, and Listening in Hulme's the bone people and Campion's The Piano.

Part II: The Virtuosi. (De- ) Composing the Nation

Noise, Ornamentation, and Repetition in McEwan's Amsterdam and MacLaverty's Grace Notes

The Art of Tuning: A Politics of Exile in Mason's The Piano Tuner and Seth's An Equal Music

Articulation and Allegory in Rushdie's The Ground Beneath Her Feet

Coda.

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