Contemporary documentary/ 
Marcus,Daniel 
 - London:  Routledge,  2016. 
 - 209 p. 
<br/><br/>1  Lying to Be Real: The Aesthetics of Ambiguity in Docufictions<br/>Ohad Landesman<br/>2  The Mockumentary<br/>Craig Hight<br/>3 Animated Documentary<br/>Annahelle Honess Roe<br/>4  Producing the Crowdsourced Documentary: The Implications<br/>of Storytelling and Technology<br/>Heather Mclntosh<br/>5 Designed Experiences in Interactive Documentaries<br/>Siobhan O'Flynn<br/>6  Indigenous Documentary Media<br/>Pamela Wilson<br/>I  True Life: The Voice of Television Documentary<br/>Laurie Ouellette<br/>8  Interrogating the Media: Errol Morris in the Infomiation Age<br/>Kris Fallon<br/>9 Documentary and the Survival of the Film Auteur; Agnes Varda,<br/>Werner Herzog, and Spike Lee<br/>Helen Hughes<br/>10 The Ethics of Appropriation: "Misusing" the Found Document in<br/>Suitcase of Love and Shame and A Film Unfnished<br/>Jaimie Baron<br/>II Documentary, Multi-platform Production, and<br/>Cosmopolitan Dialogues<br/>lb Bondehjerg<br/>12 Documentary and Video Activism<br/>Daniel Marcus 
<br/><br/><label>ISBN: </label>9781138849525 
<br/><br/><label>Dewey Class. No.: </label>070.18  / MAR/C