New dimensions in Indian music, dance, and drama/ 
 New dimensions of Indian music, dance, and drama 
edited by L. Annapoorna. 
 - Delhi :  Sundeep Prakashan,  1998. 
 - x, 337 p. ;  25 cm. 
<br/><br/>SECTION I : <br/>HISTORY, RELIGION & ARCHAEOLOGY<br/><br/>1.	Ganapati in Diksitar Krtis - I	<br/>Dr. Gowari Kuppuswamy & Dr. M. Hariharan  3<br/><br/>2.	A Rare Copper Plate Inscription oh Music	<br/>Dr. L. Annapooma  11<br/><br/>3.	An Interesting icon of Saiva Symbolism	<br/>Sri. K.R. Srinivasan  17<br/><br/>4.	Some Inscriptions of Kamataka dealing with interesting aspect of Dance	<br/>Dr. Hema Govindarajan  33<br/><br/>5.	Myths and Symbols with special reference to Performing Arts	<br/>Dr. Josef Kuckertz  39<br/><br/>SECTION II :  MUSIC AND TRADITION<br/><br/>6. Heritage of Music in Dramas	<br/>Dr. M. Hariharan  45<br/><br/>7.	Concert Tradition in South India	<br/>Dr. L. Annapooma  49<br/><br/>8.	Music tradition in Mohiniattam	<br/>Gita Radha.kran  59<br/><br/>9. Indian Music and the Tradition	<br/>Dr. G.M. Rao  67<br/><br/>10.	Transformation process in traditional performance of Tamilnadu in view of modernisation<br/>Dr. K.A. Gunasekaran  75<br/> <br/>11.Folk Music in Tamilnadu	.<br/>Dr. Saraswathy Venugopal  81<br/><br/>12.	Obligations of Artists towards the Audience.<br/>Leela Ramanathan 93<br/>.	<br/>SECTION III:  SCIENCE OF MUSIC<br/><br/>13.	Healing Power of Music	.<br/>Dr. Gowri Kuppuswamy & Dr. M. Hanharan  101<br/><br/>14.	Evolution of Music with special reference to LaksnaIa-Granthas<br/>Dr. S. Bhagyalakshmi  105<br/><br/>15.	Grace notes in Indian Music<br/>Dr. Salem S. Jayalakshmi  129<br/><br/>16.	Swara in Indian Music-A Critical  Study <br/>Dr. G.M. Rao  135<br/><br/>SECTION IV :COMPOSERS OF SOUTH INDIAN MUSIC<br/><br/>18.	Caturdasa Ragamalika of Muthuswami Diksitar<br/>Dr. Gowri Kuppuswamy & Dr. M.Hariharan  169<br/> <br/>19.	Contribution of Mysore Rulers to Music <br/> Dr.Padma Murthy  191<br/> <br/>20.	The Mela-Raga-Malika of Maha Vaidyanatha Sivan<br/>Sri. T.S. Parthasarathy  203<br/> <br/>21.	Compositions of Ettayapuram Rulers<br/>Dr. Gowri Kuppuswamy & Dr. M. Hariharan  211<br/><br/>22.	Vinai Dhanammal and her Contemporaries  223<br/>VlJJa Dhanammal<br/><br/>23.	Vlina Subbanna<br/>Vidvan N. Chennakesavaiah  229<br/> <br/>24.	Vina Subbanna<br/>Rajasree  233<br/> <br/>25.	Dlksitar and Hindustani Music<br/>Dr. M.Hariharan  239<br/> <br/>SECTION V :MUSICAL INSTRUMENTS<br/><br/>26.	Musical evolution related to Sitara Strings<br/>Dr. Svaranalatha Rao  247<br/> <br/>27.	Eminent Vainika looks back and ahead<br/>SN      257<br/> <br/>28.	The Challenging technique of VlI a Play .<br/>Padma Vardan  263<br/> <br/>SECTION VI :CONTEMPORARY TRENDS<br/><br/>29.	An Ideal Concert Hall<br/>D. Gowri Kuppuswamy & Dr. M. Hariharan   275<br/> <br/>30.	Preservation and Documentation of Performing Arts : A Report<br/>Dr. L. Annapooma  287<br/> <br/>31.	Responsibilities of Performing Artists<br/>Dr. M, Blamurali Krishna	 295<br/> <br/>32.	Indian Musicology: A Challenge <br/>Dr. Temple T, Tuttlel  .297<br/>'	<br/>33.	Methodology on the teachtng of Classical Indian Music.<br/>Prof S.R. Janakiraman  305<br/><br/>34.	Indian influence on Malayasian Theatres<br/>Dr. S.A.K. Durga   319<br/><br/>35.	Music in the School Curriculam<br/>Dr. Gowri Kuppuswamy & Dr. M. Hariharan  325<br/> <br/><br/><br/><br/><br/><br/><br/><br/> 
<br/><br/><label>ISBN: </label>8175740043 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Music--History and criticism.--India
<br/><br/><label>Dewey Class. No.: </label>780.954   / ANN/N