The author's voice in classical and late antiquity /
edited by Anna Marmodoro and Jonathan Hill
- First edition.
- New York: Oxford University Press, 2013.
- xvii, 420 pages: illustrations; 22 cm.
Includes bibliographical references and index.
I. AUTHORS AND THEIR MANIFESTATIONS 1.1 The third person 1. The poet in the Iliad Barbara Graziosi 2. Xenophon's and Caesar's third-person narratives—or are they? Christopher Felling 1.2 The dialogic voice 3. Listening to many voices: Athenian tragedy as popular art William Allan and Adrian Kelly 4. 'When I read my Cato, it is as if Cato speaks': the birth and evolution of Cicero's dialogic voice Sarah Culpepper Stroup 5. Author and speaker(s) in Horace's Satires 2 Stephen Harrison 1.3 The first person 6. 'I, Polybius': self-conscious didacticism? Georgina Longley 7. Drip-feed invective: Pliny, self-fashioning, and the Regulus letters Rhiannon Ash 8. An I for an I: reading fictional autobiography Tim Whitmarsh II. AUTHORS AND AUTHORITY 9. Ille ego qui quondam: on authorial (an)onymity Irene Peirano 10. Authorship and authority in Greek fictional letters A. D. Morrison 11. Plato's religious voice; Socrates as godsent, in Plato and the Platonists Michael Erler 12. When the dead speak: the refashioning of Ignatius of Antioch in the long recension of his letters Mark Edwards 13. Ars in their 'I's: authority and authorship in Graeco-Roman visual culture Michael Squire
9780199670567 0199670560
Authorship--History Greek literature--History and criticism. Latin literature--History and criticism.