The contemporary hollywood reader/ 
edited by Toby Miller 
 - London:  Routledge,  2013. 
 - xvii, 558 p. ;  26 cm. 
<br/><br/>Part 1: Production. <br/><br/>1. Introduction <br/><br/>2. Structure. Hollywood Genres and the Production of Culture Perspective. Digital Film and `Late' Capitalism. Economic and Institutional Analysis: Hollywood as Monopoly Capitalism. Vertical Integration in Motion Pictures. <br/><br/>3. Artists. Women and Men in Film: Gender Inequality Among Writers in a Culture Industry. Double Jeopardy in Hollywood: Age and Gender in the Careers of Film Actors, 1926-1999. The Twilight Zone of Contemporary Hollywood Production. The Lady in the Tutti-Frutti Hat: Carmen Miranda, a Spectacle of Ethnicity. Studs Have Feelings, Too: Warren Beatty and the Question of Star Discourse and Gender. The Star and the Commodity: Notes Towards a Performance Theory of Stardom.<br/><br/> 4. Globalization. Chinese Diaspora and Orientalism in Globalized Cultural Production: Ang Lee's Crouching Tiger, Hidden Dragon. New Zealand as Middle Earth: Local and Global Popular Communication in a Small Nation. Hollywood and the World: The Geography of Motion-Picture Distribution and Marketing. Behind the Scenes: How Transnational Firms are Constructing a New International Division of Labor in Media Work. <br/><br/>PART 2:<br/> Text. <br/>1. Introduction. <br/>2. Genre. Genre. Out of What Past? Notes on the B Film Noir.<br/>3. Pleasure. Miranda Prorsus: Encyclical Letter on Motion Pictures, Radio and Television. Serious Pleasures: Cinematic Pleasure and the Notion of Fun. Lost in the Funhouse. Throwing Shade in the Kingdom. <br/>4. Representation. A Circus of Dreams and Lies: The Black Film Wave at Middle Age. Women and Smoking in Hollywood Movies: A Content Analysis. A Rose is a Rose? Real Women and a Lost War. Citizen Chicano: The Trials and Titillations of Ethnicity in the American Cinema, 1935-1962. Reel Bad Arabs: How Hollywood Vilifies a People. <br/><br/>PART 3: Circulation.<br/><br/> 1. Introduction.<br/><br/> 2. Distribution. Film Distribution as Media: Mapping Difference in the Bolivian Cinemascape. Marketing the Hollywood Blockbuster in France. How Critical are Critical Reviews? The Box Office Effects of Film Critics, Star Power, and Budgets.<br/><br/>3. Audiences. Cowboys and Indians: Perceptions of Western Films Among American Indians and Anglos. It's the Language of Film!: Young Film Audiences on Hollywood and Europe. Cultural Discount and Cross-Culture Predictability: Examining the Box Office Performance of American Movies in Hong Kong.<br/><br/> 4. Government. The Celebrity Image and Cultural Identity: Publicity Rights and the Subaltern Politics of Gender. Government Support to the Film Industry in the United States. Will Work for Copyrights: The Cultural Policy of Anti-Piracy Campaigns. <br/><br/>5. Globalization. Cultural Exchange. The Globalization of Hollywood. America the Menace: France's Feud with Hollywood. 
<br/><br/><label>ISBN: </label>9780415452267 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Motion pictures	<br/>United States	<br/>Motion picture industry	
<br/><br/><label>Dewey Class. No.: </label>791.430973  / MIL/C