Music, Culture and Identity in the Muslim World: Performance, Politics and Piety/ 
Salhi,  Kamal 
 - London:  Routledge,  2014. 
 - 301 p. 
<br/><br/>Introduction: the paradigm of performing Islam beyond the<br/>political rhetoric <br/>KAMAL SALHI<br/>1 New Islamist popular culture in Turkey <br/>MARTIN STOKES<br/>2 Social forces shaping the heterodoxy of Sufi performance in<br/>contemporary Egypt <br/>MICHAEL FRISMKOPF<br/>3 Singing dissent: Sufi chant as a vehicle for alternative perspectives <br/>FARLF WAUGH<br/>4 Debating piety and performing arts in the public sphere: the<br/>'caravan' of veiled actresses in Egypt <br/>KARIN VAN NIFUWKFRK<br/>5 Wah wah! Meida meida! The changing roles of dance in<br/>Afghan society <br/>JOHN BAILY<br/>6 The manifest and the hidden: agency and loss in Muslim<br/>performance traditions of South and West Asia <br/>RICHARD K. WOLF<br/>7 'Muslim punk' music online: piety and protest in the<br/>digital age <br/>DHIRAJ MURTHY<br/>8 Devotion or pleasure? Music and meaning in the celluloid<br/>performances of qawwali in South Asia and the diaspora <br/>NATALIE SARRAZIN<br/>9 Multicultural harmony? Pakistani Muslims and music<br/>in Bradford <br/>THOMAS E. HODGSON<br/>10 Hip-hop bismillah: subcultural worship of Allah in<br/>Western Europe <br/>MARUTA HERDING<br/>11 Lil Maaz's Mange du kebab: challenging cliches or serving<br/>up an immigrant stereotype for mass consumption online? <br/>JONATHAN ERVINE<br/> 
<br/><br/><label>ISBN: </label>9780415665629 
<br/><br/><label>Dewey Class. No.: </label>297.267  / SAL/M