TY - BOOK AU - Manuel, Peter, TI - Cassette culture: popular music and technology in north India SN - 0226504018 U1 - 306.484 PY - 1993/// CY - Chicago PB - University of Chicago Press KW - Popular music KW - India KW - History and criticism KW - Sound recording industry KW - Mass media and music N1 - 1. Introduction: Theoretical Perspectives Cassettes and the New Media Technologies Cassette Technology and the "Democratic-Participant" Media Theoretical Approaches: Ethnomusicology and Media Theory Control of the Media Media Content Reception Theory: Effects and Audience Interpretations of Media Content Base and Superstructure in an Integrated Cultural Materialism Conclusions 2. The Impact of Cassettes on the International Recording Industry Contrasting Patterns of Development The International Impact of Cassette Technology Cassette Piracy The Emergence of Legitimate Cassette Industries 3. The Music Industry and Film Culture up to 1975 The Growth of the Indian Record Industry Radio Film Music and Film Culture Film Music: Context and Content The Impact of Film Music on Folk Music Conclusions 4. The Advent of Cassettes: New Alternatives to His Master's Voice Cassettes come to India Cassette Producers Financial and Technological Aspects of the Cassette Industry Promotion and Publicity Music-Industry Organizations Piracy Compact Discs 5. Cassettes and the Modern Ghazal The Traditional Ghazal The Rise and Fall of the Film Ghazal The Modern Ghazal "Pop" Goes the Ghazal Conclusions 6. Devotional Music Music and Bhakti in Hindu Culture Devotional Music and the Mass Media Ghazal, Cassettes, and the Emergence of the Pop Bhajan The Mainstream Pop Bhajan: Aesthetics, Ethos, and Commercialism "Great" and "Little Traditions" in Commercial Devotional Music Production and Marketing of Devotional Music Muslim Devotional Music Cassettes and Live Performance Conclusions 7. The Politics of Parody: Tune-Borrowing in Popular and Folk Music Parody in Hindustani Music Parody in Folk Music "Versions": Recycling the Classics Copyright Conclusions 8. Regional Musics Social Identity and Regional Syncretic Musics Cassettes and Diversification: Region, Language, and Genre Cassettes and Class Expression Gender The Impact of Commodification Song Texts in Regional Cassette-Based Music Cassettes and Lewd Regional Songs Cassettes and Live Performance Regional Cassette Musics Conclusions 9. Rasiya: A Case Study in Commercialization Braj Culture and Rasiya Song Texts in Secular Folk Rasiya Gender Representation in Rasiya Rasiya and Socioeconomic Modernization Rasiya and Mass Culture Film Parodies and Hathrasi Rasiya The Advent of Cassettes Cassettes and the "Little Tradition" of Rasiya Bhakti Secular Rasiya Cassettes Song Texts in Commercial Rasiya Disparaging Perspectives M. H. Zaidi, Rasiya Producer Singer-Poet Sevaram "Tanatan" Sharma Conclusions 10. Cassettes and Sociopolitical Movements Jagori: Cassettes and Women's Liberation Regional Movements in Eastern Bihar Cassettes and the 1989 Elections Regional and Sectarian Movements ER -