Cosmetics in Shakespearean and Renaissance drama/
Farah Karim-Cooper.
- Edinburgh: Edinburgh University Press, 2006.
- x, 221 p. : ill. ; 24 cm.
Acknowledgements; List of Illustrations; Chapter 1: Defining Beauty in Renaissance Culture; I. 'Beauty's red and virtue's white': Treatises on Beauty; II. The Poetry of Love, Beauty and Courtship; III. Beauty in Pictures: Plays and Emblem Books; Chapter 2: Early Modern Cosmetic Culture; I. 'The Devil's craft': The Opposition to Cosmetics; II. 'She Shal Appeare to be the Age of Fifteene Yeares'; III. Painting the Queen; Chapter 3: Cosmetic Restoration in Jacobean Tragedy; I. 'The artificial shine': Painted Language; II. Cosmetic Revenge Tragedy; III. 'Dainty preserved flesh': Fetishising the Painted Body; IV. Catholic Ritual and Cosmetics; Chapter 4: John Webster and the Culture of Cosmetics; I. Beautified and Heroic: Webster's Painted Ladies; II. Rethinking Webster's Imagery; A. Cosmetics and Catholic Imagery; B. Cosmetics and Witchcraft; Chapter 5: Jonson's Cosmetic Ritual; I. 'Pieced Beauty': Cosmetics as Prosthetics; II. Constructing Gender in Jonsonian Comedy; III. Jonson and the Cosmetics Debate; Chapter 6: Cosmetics and Poetics in Shakespearean Comedy; I. Painting Players; II. Beautifying Poetic Drama; Chapter 7: 'Deceived with ornament': Shakespeare's Venice; I. Cosmetic Materials in The Merchant of Venice; II. Cosmetic Symbolism and Othello; Chapter 8: 'Flattering Unction': Cosmetics in Hamlet; I. Appearances and Realities: Painted Faces in Hamlet; II. Mousetraps; III. Cosmeticised bodies and the female interior; A. Inside Gertrude's Closet; B. Ophelia's Beautifying Craft; Epilogue; Bibliography.
9780748619931
English drama--Early modern and Elizabethan Beauty, Personal, in literature Cosmetics Shakespeare, William, 1564-1616 Beauty, Personal