Filming horror: Hindi cinema, ghosts and ideologies/ Meraj Ahmed Mubarki

Machine generated contents note: 1.Indian Cinema and Ideology --
Hindi Cinema and Ideology --
Cinema in the Colonial Context --
2.Genre, Codes and the Horror Cinema --
Genre and Its Functionality --
Horror Genre and Spectatorship --
Freud and the Uncanny --
Robin Wood's Return of the Repressed --
Julia Kristeva and the Abject --
Generic Codes of the Hindi Horror --
Conjunctions and Departures with Hollywood --
Generic Features of the Hindi Horror --
Horror Cinema as Project of/for the `Nation' --
Nature of the Hindi Horror Genre --
3.Secular Conscious Narrative --
Secularism in the Indian Context --
Mahal: The Inaugural Moment of the Secular Consciousness --
Madhumati --
Kohraa --
Bhool Bhulaiyaa --
4.Return of Traditional --
Cultural Narrative --
Jadu Tona --
Gehrayee --
Phoonk --
The Horror in Science Fiction: Between Morals and Mad Scientists --
Historicity of the Monstrous Narrative --
India and the Discourse of Science --
Monstrosities from Science or Monstrous Science? --
Note continued: The Horror of Transmutation --
The Triumph of the Traditional/Mythic Order --
The Monstrous `Other' Feminine --
Mangalsutra and the Monstrous Other Feminine --
Veerana --
Modernization of Patriarchy and Post-liberalization Female Monstrosity --
Raaz --
Eight: The Power of Shani --
Darling --
5.The Inflection of the Hindutva `Ideo' logic Cinema --
1920 --
Haunted --
Conclusion.