Cinema militant: political filmmaking and may 1968/ Paul Douglas Grant
Publication details: London: Wallflower Press, c2016Description: viii, 224 p. : ill. ; 24 cmISBN: 9780231851015Subject(s): Motion pictures -- Political aspects -- FranceDDC classification: 791.436581| Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|
General Books
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Central Library, Sikkim University General Book Section | 791.436581 GRA/C (Browse shelf(Opens below)) | Available | 49841 |
ch. 1 Wildcat Strikes and Wildcat Cinema In May '68: ARC --
1.1. What Is cinema militant? --
1.2. Interrogating the absence --
1.3. Production eclipsed by theory --
1.4. Reception In English: Sylvia Harvey's May '68 and Film Culture --
1.5. History in France --
1.6. The cinema of May 1968 --
ch. 2 Jean-Pierre Thorn: "No investigation, no right to speak" --
2.1. Jean-Pierre Thorn and Oser lutter, oser vaincre --
2.2. The strike at Flins, as told by Jean-Pierre Thorn/Ligne rouge --
2.3. Ligne rouge --
2.4. Cinema Libre --
2.5. Les etablis --
2.6. La greve des ouvriers de Margoline --
2.7. Le dos au mur --
2.8. Georgette Vacher --
ch. 3 Cinelutte: "Tout ce qui bouge est rouge" --
3.1. Cinelutte beginnings --
3.2. Jusqu'au bout --
3.3. Petites tetes, grandes surfaces --
anatomle d'un supermarche --
3.4. Bonne chance la France --
3.5. A pas lentes --
ch. 4 Les groupes Medvedkine: Before and After Chris Marker --
4.1. The adventure of Les groupes Medvedkine --
4.2. Medvedkin and the Cine-Train --
4.3. CCPPO --
4.4. Two productions by the CCPPO --
4.5. Le groupe Medvedkine Besancon --
4.6. Le groupe Medvedkine Sochaux --
ch. 5 Of Theory and Peasants: Groupe Cinethique --
5.1. Groupe Cinethique --
5.2. Le Front Paysan --
5.3. Les Handicapes mechants and Bon pied bon oeil et toute sa tete.
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