Embodied encounters: New approaches to psychoanalysis and cinema/ Piotrowska, Agnieszka

Material type: TextTextPublication details: London: Routledge, 2015Description: 236 pISBN: 9781138795242DDC classification: 791.43019
Contents:
1 Catherine Breillat and Courbet's L 'origine du monde | The origin of the world\ (1866) EMMA WILSON 2 NachtrSglichkeit and aprks coup in documentary film: the suffering of Aiieen Wuornos as told by Nick Broomfield AGNIESZKA PIOTROWSKA 3 The ventriloquism of documentary first-person speech and the self-portrait film ELIZABETH COWIE 4 Identification and mutual recognition In Darren Aronofsky's Black Swan JULIE SEXENY 5 Terrence Malick's diptych JOHN IZOD AND JOANNA DOVALIS 6 Therapy and cinema: making images and finding meanings LUKE HOCKLEY 7 Psychoanalytic soundings: the case of The Dybbuk STEPHEN FROSH 8 Process and medium in the practice of filmmaking: the work of Jayne Parker. CARLA AMBR6SI0 GARCIA 9 Zero Dark Thirty, 'war autism* or a Lacahian ethical act? AONIESZKA PIOTROWSKA 10 An atheist's guide to feminine jouissance: on Black Swan and the other satisfaction BEN TYRER 11 Documentary and psychoanalysis: putting the love back in epistephilia MICHAEL RENOV 12 Douglas Gordon and Cory Arcangel: breaking the toy ROBERT BURGOYNE 13 Mirror images: D.W. Winnicott in the visual field VICKY LEBEAU 14 Pinning a tale: the screen, the donkey and the MacGufiin CAROL MACGILLIVRAY 15 The poetics of maternal loss in Tarkovsky's The Mirror HELENA BASSIL-MOROZOW , 16 Talking about Kevin: first-, second- and third-person narratives NAOMI SEGAL 17 This book has no pictures (a visual documentary of psychoanalysis) NICHOLAS MUELLNER
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
General Books General Books Central Library, Sikkim University
791.43019 PIO/E (Browse shelf(Opens below)) Available 042135
Total holds: 0

1 Catherine Breillat and Courbet's L 'origine du monde | The
origin of the world\ (1866)
EMMA WILSON
2 NachtrSglichkeit and aprks coup in documentary film: the
suffering of Aiieen Wuornos as told by Nick Broomfield
AGNIESZKA PIOTROWSKA
3 The ventriloquism of documentary first-person speech and the
self-portrait film
ELIZABETH COWIE
4 Identification and mutual recognition In Darren Aronofsky's
Black Swan
JULIE SEXENY
5 Terrence Malick's diptych
JOHN IZOD AND JOANNA DOVALIS
6 Therapy and cinema: making images and finding meanings
LUKE HOCKLEY
7 Psychoanalytic soundings: the case of The Dybbuk
STEPHEN FROSH
8 Process and medium in the practice of filmmaking: the work of
Jayne Parker.
CARLA AMBR6SI0 GARCIA
9 Zero Dark Thirty, 'war autism* or a Lacahian ethical act?
AONIESZKA PIOTROWSKA
10 An atheist's guide to feminine jouissance: on Black Swan and
the other satisfaction
BEN TYRER
11 Documentary and psychoanalysis: putting the love back in
epistephilia
MICHAEL RENOV
12 Douglas Gordon and Cory Arcangel: breaking the toy
ROBERT BURGOYNE
13 Mirror images: D.W. Winnicott in the visual field
VICKY LEBEAU
14 Pinning a tale: the screen, the donkey and the MacGufiin
CAROL MACGILLIVRAY
15 The poetics of maternal loss in Tarkovsky's The Mirror
HELENA BASSIL-MOROZOW ,
16 Talking about Kevin: first-, second- and third-person
narratives
NAOMI SEGAL
17 This book has no pictures (a visual documentary of
psychoanalysis)
NICHOLAS MUELLNER

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