Dynamics and performativity of imagination: the image between the visible and the invisible/ Huppauf, Bernd
Material type: TextPublication details: London: Routledge, 2009Description: 372 pISBN: 0415516943DDC classification: 128.3Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|
General Books | Central Library, Sikkim University General Book Section | 128.3 HUP/D (Browse shelf(Opens below)) | Available | P36409 |
1 Introduction: The Indispensability of the Imagination
BERND HUPPAUF AND CHRISTOPH WULF
Imagination
GERT MATTENKLOTT
Aesthetic Immanence
GEORGES DIDI-HUBERMAN
Imagination, Figurality and Creativity: Conditions
of Cultural Innovation
DIETER MERSCH
Intuition and Imagination: How to See Something
that is Not There
LUDGER SCHWARTE
What Is: Seeing an Image?
MARIE JOS£ MONDZAIN
The Gaze in the Image: A Contribution to an Iconology
of the Gaze
HANS BELTING
Imagination or Response?: Some Remarks on the Understanding
of Images and Pictures in Pre-modern China
MATHIAS OBERT
The Nature of Face Recognition: A Perspective from
the Cognitive Neurosciences
DAVID POEPPEL AND CLARE STROUD
10 The Neapolitan Gesture
GUNTER GEBAUER
11 Images of Social Life
CHRlSrOPH WULF
12 Performative Spaces and Imagined Spaces: How Bodily
Movement Sets the Imagination in Motion
ERIKA FISCHER-LICHTE
13 Media Images, Sports Rituals and the Imaginary
K. LUDWIG PFEIFFER
14 Ferocious Images
PETER SLOTERDIJK
15 Indeterminacy: On the Logic of the Image
GOTTFRIED I30EHM
16 Between Imitation and Simulation: Towards an Aesthetics of
Fuzzy Images
BERND HUPPAUF
17 A Small History (of) Still Passing
REBECCA SCHNEIDER
18 Scribbling, Scraping off, Painting over: Effacing Pictures in
Literary Texts
GABRIELE BRANDSTETTER
19 Kierkegaard's Shadow Figures
MARTIN PUCHNER
20 The Unspeakable and the Unimaginable: Word and Image
in a Time of Terror
W. J.T.MITCHELL
21 Face and Mass: Towards an Aesthetic of the Cross-Cut in Film
GERTRUD KOCH
22 Synaesthesia: Physiological Diagnosis, Practice of Perception,
Art Program: A Semiotic Re-analysis
ROLAND POSNER AND DAGMAR SCHMAUKS
23 Recognisability and Visual Evidence in Medical Imaging versus
Scientific Objectivity
BRITTA SCHINZEL
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