Engendering song: singing and subjectivity at Prespa Albanian weddings/ Jane C. Sugarman.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
Contents:
1: Approaching Prespa Singing
2: Singing as a Social Activity
3: Singing as a Gendered Activity
4: The "Order" of Weddings
5: The Prespa "System"
6: Singing and the Discourse of Honor
7: Singing as the Practice of Patriarchy
8: Emergent Subjectivities
Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
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Central Library, Sikkim University General Book Section | 306.094965 SUG/E (Browse shelf(Opens below)) | Available | P20530 |
Total holds: 0
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306.0947 BEU/P Pop culture Russia!: media, arts, and lifestyle/ | 306.094965 SUG/E Engendering song: singing and subjectivity at Prespa Albanian weddings/ | 306.094965 SUG/E Engendering song: singing and subjectivity at Prespa Albanian weddings/ | 306.094965 SUG/E Engendering song: singing and subjectivity at Prespa Albanian weddings/ | 306.095 SAU/C Cultural genocide and Asian state peripheries/ | 306.095 TOW/ Asia's emerging regional order/ | 306.0951 HAS/C China in an era of transition/ |
1: Approaching Prespa Singing
2: Singing as a Social Activity
3: Singing as a Gendered Activity
4: The "Order" of Weddings
5: The Prespa "System"
6: Singing and the Discourse of Honor
7: Singing as the Practice of Patriarchy
8: Emergent Subjectivities
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