Ethnicity, identity, and music: the musical construction of place/ edited by Martin Stokes.
Material type:
TextPublication details: Oxford, UK ; Providence, RI : Berg, 1994Description: x, 212 p. ; 23 cmISBN: 1859730418; 0854968776 Subject(s): Music and anthropology | Ethnomusicology | Ethnicity in music | Identity (Philosophical concept)DDC classification: 780 | Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
|---|---|---|---|---|---|---|
General Books
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Central Library, Sikkim University General Book Section | 780 STO/E (Browse shelf(Opens below)) | Available | P20413 |
Includes bibliographical references and index.
M. Stokes, Introduction: Ethnicity, Identity and Music - M. Chapman, Thoughts on Celtic Music - J. Baily, The Role of Music in the Creation of an Afghan National Identity, 1923-73 - Z. Mach, National Anthems: The Case of Chopin as a National Composer - S. A. Reily, Macunaima's Music: National Identity and Ethnomusicological Research in Brazil - M. Stokes, Place, Exchange and Meaning: Black Sea Musicians in the West Coast of Ireland - S. Cohen, Identity, Place and the 'Liverpool Sound' - F. Magowan, 'The Land is our M‰rr (Essence); It Stays Forever': The Yothu-Yindi Relationship in Australian Aboriginal Traditional and Popular Musics - P. Parkes, Personal and Collective Identity in Kalasha Song Performance: The Significance of Music-making in a Minority Enclave - H. La Rue, Music, Literature and Etiquette: Musical Instruments and Social Identity from Castiglione to Austen
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