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Understanding society through popular music/ Kotarba, Joseph A.; Vannini, Phillip; Merrill, Bryce; Williams, J. Patrick,

By: Kotarba, Joseph AMaterial type: Text

TextPublication details: New York: Routledge, 2009Description: 172pISBN: 9780415954082Subject(s): Popular music--Social aspects | United StatesDDC classification: 306.48424

Contents:

Introduction: The Sociology of Pop(ular) Music Constructionist Theoretical Perspectives in the Sociology of Pop Music Music and Culture A Very Brief History of the Study of Pop Music in Sociology Conclusion: Cultivating a Musical and Sociological Imagination Chapter 1 The Family Music as a Social Problem? Pop Music as a Feature of Children's Culture Adolescents as Children Children as Children Adults as Children Adults as Parents Mother and Daughter Bonding Father and Son Bonding Family Leisure Activities Religious Socialization Moral Socialization Historical Socialization Conclusion Chapter 2 Deviance Understanding Labeling and Cultures of Deviance: The Relationship of Popular Music and Illegal Drug Use Music and Drug Discourse Studying Drugmusictalk Traditional Drugmusictalk Themes Sharing Aesthetic Drug-Music Experiences Discussing the Fit between Particular Drugs and Styles of Music Sharing Affective Aspects (e.g., Sexual) of Drug-music Experiences Discussing Economic and/or Ideological Aspects of Drug-Music Experiences Discussing Personal Tastes in Music The Internet Allows People to Create and Perform Situational Identities Conclusion Chapter 3 The Economy Oligopoly and its Consequences Love and Commodification: The Case of Teen Pop Conspicuous Consumption Hot Topic and the Retailing of Musical ^ Material Culture Music as a Commercial Technology Music and the Sound of the Cash Register Conclusion Chapter 4 The Community and the Polity Ideology Politics, Technology, and Indie Music Institution American Idol: Rock the Vote (but not too loud)! Community Dora and the Constitution of Community Conclusion Chapter 5 Race, Class, and Gender Doing Gender Becoming a Prima Donna Doing Race: Performing the Wigger Doing Class: Is Avril Lavigne Punk? Conclusion Chapter 6 The Self and the Life Course Self, Identity, and the Life Course The Becoming of Self The E-Self The Self as Lover The Self as Parent and Grandparent The Self as Believer The Self as Political Actor Conclusion Chapter 7 Globalization Music, Culture, and Globalization World Music Flows Popular Music and the Emergence of the "Teenager" in Poland A Brief History of Popular Music and Youth in Poland before 1989 Popular Music in Poland Since 1989 Working-Class Teenagers: Life Beyond Heavy Metal Middle-Class Teens: Freedom to Taste the Market Discussion Rock en Espanol The Scene A History of the Rock en Espanol Movement in Houston Rock en Espanol as a Feature of Postmodernization Discussion Conclusion

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	306.48424 KOT/U (Browse shelf(Opens below))	Available		P17799

Total holds: 0

Introduction: The Sociology of Pop(ular) Music
Constructionist Theoretical Perspectives in the
Sociology of Pop Music
Music and Culture
A Very Brief History of the Study of Pop Music in
Sociology
Conclusion: Cultivating a Musical and Sociological
Imagination
Chapter 1 The Family
Music as a Social Problem?
Pop Music as a Feature of Children's Culture
Adolescents as Children
Children as Children
Adults as Children
Adults as Parents
Mother and Daughter Bonding
Father and Son Bonding
Family Leisure Activities
Religious Socialization
Moral Socialization
Historical Socialization
Conclusion
Chapter 2 Deviance
Understanding Labeling and Cultures of Deviance:
The Relationship of Popular Music and Illegal
Drug Use
Music and Drug Discourse
Studying Drugmusictalk
Traditional Drugmusictalk Themes
Sharing Aesthetic Drug-Music Experiences
Discussing the Fit between Particular Drugs
and Styles of Music
Sharing Affective Aspects (e.g., Sexual) of
Drug-music Experiences
Discussing Economic and/or Ideological
Aspects of Drug-Music Experiences
Discussing Personal Tastes in Music
The Internet Allows People to Create and
Perform Situational Identities
Conclusion
Chapter 3 The Economy
Oligopoly and its Consequences
Love and Commodification: The Case of Teen
Pop
Conspicuous Consumption
Hot Topic and the Retailing of Musical
^ Material Culture
Music as a Commercial Technology
Music and the Sound of the Cash Register
Conclusion
Chapter 4 The Community and the Polity
Ideology
Politics, Technology, and Indie Music
Institution
American Idol: Rock the Vote (but not too
loud)!
Community
Dora and the Constitution of Community
Conclusion
Chapter 5 Race, Class, and Gender
Doing Gender
Becoming a Prima Donna
Doing Race: Performing the Wigger
Doing Class: Is Avril Lavigne Punk?
Conclusion
Chapter 6 The Self and the Life Course
Self, Identity, and the Life Course
The Becoming of Self
The E-Self
The Self as Lover
The Self as Parent and Grandparent
The Self as Believer
The Self as Political Actor
Conclusion
Chapter 7 Globalization
Music, Culture, and Globalization
World Music Flows
Popular Music and the Emergence of the "Teenager"
in Poland
A Brief History of Popular Music and Youth
in Poland before 1989
Popular Music in Poland Since 1989
Working-Class Teenagers: Life Beyond Heavy
Metal
Middle-Class Teens: Freedom to Taste the
Market
Discussion
Rock en Espanol
The Scene
A History of the Rock en Espanol Movement
in Houston
Rock en Espanol as a Feature of
Postmodernization
Discussion
Conclusion

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