Kierkegaard's metaphors /
Material type:
TextSeries: International Kierkegaard commentaryPublication details: Macon: Mercer University Press, 2001Edition: 1st.edDescription: 201 pISBN: 9780865547315DDC classification: 198.9 | Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
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General Books
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Central Library, Sikkim University General Book Section | 198.9 LOR / (Browse shelf(Opens below)) | Available | P15279 |
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| 194 SMA/M Michel Foucault/ | 194 TAY/M Michel Focault / key concepts | 197.09 ROG/H The heirs of Muhammad: Islam`s first century and the origin of the sunni-shia split/ | 198.9 LOR / Kierkegaard's metaphors / | 199.4371 HAL/E Ernest Gelliner: An Intellectual biography/ | 199.439 HEL/ A short history of my philosophy/ | 199.4973 WOO/Z Zizek: A reader's guide/ |
Introduction. A Truer Impression: Kierkegaard's Metaphors
A. Prologue. Two Views of One Caricature,
B. A Truer Impression,
C. Framing the Abstract in Concrete Terms,
D. The Poet-Philosopher,
1. Deceiving into the Truth:
Metaphor and Indirect Communication (the Maieutic)
A. Kierkegaard's Early Thoughts on Metaphor,
B. .The Pseudonyms: Metaphoric Thought-Experiments,
Godly Satires, and Structuring a Maieutic Authorship
in a World of Direct Commvmication,
C. "The Fork,"
D. Language's Inadequacies, Existentialist Writing,
and Becoming a Human through a Persona,
E. Language Decay, Ambiguities, Opposition,
and the Need for Passionate Tension,
2. Concealing Collisions of the Self:
The Esthetic Poetization of Metaphor
A. Reasons for Esthetic Hiddenness,
B. Sources of Esthetic Hiddenness: the Romantic Tradition,
C. Becoming Entangled in Metaphor and Acting Fatally,
3. Disclosing Collisions of the Self:
The Ethical Analysis of Metaphor
A. From Concealment to Disclosure,
B. Practicing What You Preach; Ethical Actuality's
Terrifying, Matter-of-Fact Task,
C. "You Are the One,'
4. Enacting Collisions of the Self:
The Religious Literalization of Metaphor
A. Kierkegaard's "Concept" of Metaphor,
Interlude: The Coming into Existence of Metaphor,
B. Rejecting or Annulling Metaphor
to Embrace It Existentially,
C. Enacting and Literalizing Metaphor
through Imitation, Suffering, and Atonement
D. The Woman Who Was a Sinner,
E. Epilogue: Metaphor and Dying to the World,
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