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Visual research methods. Vol. 2/ edited by Peter Hamilton

Contributor(s): Hamilton, Peter, edMaterial type: Text

TextPublication details: London: SAGE Publications, 2006Description: 412 pISBN: 9781412901512 (4v. set)DDC classification: 300.72

Contents:

Part Two : The Objective of the Visual (Continued from V.1) Roland Barthes on the Aesthetics of Photography/ D Jacquette -- Desire in Art and Politics: The Theories of Jean-Francois Lyotard/ M Turim -- The Invisible Flaneuse: Women and Literature of Modernity/ J Wolff -- In the Empire of the Gaze: Foucault and the Denigration of Vision in Twentieth-century French Thought/ M Jay-- Varieties of Photographic Representation: Documentary, Pictorial and Quasi-Documentary/ N. Warburton -- Tell the Truth: Codes of Objectivity in Photojournalism/ D Schwartz -- The Centrality of the Eye in Western Culture: An Introduction/ C Jenks -- Shadow Catchers or Shadow Snatchers? Ethical Issues for Photographers of Contemporary Native Americans/ L P Brumbaugh -- Deceptive Images: The Social Sciences and the Puzzle of Moving Pictures/ P Sorlin -- Bialowieza Forest, Poland: Representation, Myth, and the Politics of Dispossession/ Stuart Franklin -- Autonomy and Anti-art: Adorno's Concept of Avant-garde Art/ S Martin -- Photography and the Performance of History/ E Edwards -- The Darker Side of Visual Research/ J Proser -- Snapshots "R" Us: The Evidentiary Problematic of Home Media/ R Chalfen -- Telling Stories About Photography: The Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas/ D Newbury -- Visual Sociology, Documentary Photography, and Photojournalism: It's (Almost) All a Matter of Context/ H S Becker -- The Objectivity of Artistic Values/ R Boudon -- Filmed Science in Search of a Form: Contested Discourses in Anthropological and Sociological Film-Making/ L Pauwels -- The Visual Construction of Secondary Witness: Three Case Studies from Television/ J Corner

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	300.72 HAM/V (Browse shelf(Opens below))	Available		P00627

Total holds: 0

Part Two : The Objective of the Visual (Continued from V.1)
Roland Barthes on the Aesthetics of Photography/ D Jacquette --
Desire in Art and Politics: The Theories of Jean-Francois Lyotard/ M Turim --
The Invisible Flaneuse: Women and Literature of Modernity/ J Wolff --
In the Empire of the Gaze: Foucault and the Denigration of Vision in Twentieth-century French Thought/ M Jay--
Varieties of Photographic Representation: Documentary, Pictorial and Quasi-Documentary/ N. Warburton --
Tell the Truth: Codes of Objectivity in Photojournalism/ D Schwartz --
The Centrality of the Eye in Western Culture: An Introduction/ C Jenks --
Shadow Catchers or Shadow Snatchers? Ethical Issues for Photographers of Contemporary Native Americans/ L P Brumbaugh --
Deceptive Images: The Social Sciences and the Puzzle of Moving Pictures/ P Sorlin --
Bialowieza Forest, Poland: Representation, Myth, and the Politics of Dispossession/ Stuart Franklin --
Autonomy and Anti-art: Adorno's Concept of Avant-garde Art/ S Martin --
Photography and the Performance of History/ E Edwards --
The Darker Side of Visual Research/ J Proser --
Snapshots "R" Us: The Evidentiary Problematic of Home Media/ R Chalfen --
Telling Stories About Photography: The Language and Imagery of Class in the Work of Humphrey Spender and Paul Reas/ D Newbury --
Visual Sociology, Documentary Photography, and Photojournalism: It's (Almost) All a Matter of Context/ H S Becker --
The Objectivity of Artistic Values/ R Boudon --
Filmed Science in Search of a Form: Contested Discourses in Anthropological and Sociological Film-Making/ L Pauwels --
The Visual Construction of Secondary Witness: Three Case Studies from Television/ J Corner

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