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Visual research methods. Vol. 1/ edited by Peter Hamilton

Contributor(s): Hamilton, Peter, edMaterial type: Text

TextPublication details: London: SAGE Publications, 2006Description: 412 pISBN: 9781412901512 (4v.set)DDC classification: 300.72

Contents:

Introduction/ Peter Hamilton -- Part One: Classical Historical Statements Panopticon/ Jeremy Bentham -- Basic Concepts of Peircean Sign Theory/ C S Peirce -- Personal Identification and Description/ Francis Galton -- The Identification of the Criminal Classes/ A Bertillon -- Criteria of Negro Art/ W.E.B. Du Bois -- First Principles of Documentary/ J Grierson -- The Work of Art in the Age of Mechanical Reproduction/ W Benjamin -- Gothic Architecture and Scholasticism/ E Panofsky -- Pour en finir avec la profondeur de champ/ A Bazin -- Photographing Social Circumstance and Interaction/ J Collier -- Encoding and Decoding/ S Hall -- Photography and Sociology/ H S Becker -- Style as Evidence/ J Prown -- On the Visual Constitution of Society: The Contributions of Georg Simmel and Jean-Paul Sartre to a Sociology of the Senses/ D Weinstein & M Weinstein -- On Photography, 'Semiologie' and 'Sociologie'/ E Neiva -- Cold Eye/ J Stallabrass -- Classification, Charisma, and Celebrity: Photography, Individualism and the American Frontier/ B S Turner Part Two: The Objectivity of the Visual The Great Family of Man/ Roland Barthes -- Power and Photography: Part One - A Means of Surveillance: The Photograph as Evidence in Law/ J Tagg

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Holdings
Item type	Current library	Call number	Status	Date due	Barcode	Item holds
General Books	Central Library, Sikkim University General Book Section	300.72 HAM/V (Browse shelf(Opens below))	Available		P00626

Total holds: 0

Introduction/ Peter Hamilton --

Part One: Classical Historical Statements
Panopticon/ Jeremy Bentham --
Basic Concepts of Peircean Sign Theory/ C S Peirce --
Personal Identification and Description/ Francis Galton --
The Identification of the Criminal Classes/ A Bertillon --
Criteria of Negro Art/ W.E.B. Du Bois --
First Principles of Documentary/ J Grierson --
The Work of Art in the Age of Mechanical Reproduction/ W Benjamin --
Gothic Architecture and Scholasticism/ E Panofsky --
Pour en finir avec la profondeur de champ/ A Bazin --
Photographing Social Circumstance and Interaction/ J Collier --
Encoding and Decoding/ S Hall --
Photography and Sociology/ H S Becker --
Style as Evidence/ J Prown --
On the Visual Constitution of Society: The Contributions of Georg Simmel and Jean-Paul Sartre to a Sociology of the Senses/ D Weinstein & M Weinstein --
On Photography, 'Semiologie' and 'Sociologie'/ E Neiva --
Cold Eye/ J Stallabrass --
Classification, Charisma, and Celebrity: Photography, Individualism and the American Frontier/ B S Turner

Part Two: The Objectivity of the Visual
The Great Family of Man/ Roland Barthes --
Power and Photography: Part One - A Means of Surveillance: The Photograph as Evidence in Law/ J Tagg

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