MARC details
| 000 -LEADER |
|---|
| fixed length control field |
02341cam a22002538a 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780253352682 (hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0253352681 (hbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780253220486 (pbk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0253220483 (pbk.) |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
CUS |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
971.4354 |
| Item number |
RAJ/I |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Rajadhyaksha, Ashish |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Indian cinema in the time of celluloid: from Bollywood to the Emergency / |
| Statement of responsibility, etc. |
Ashish Rajadhyaksha |
| 246 10 - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
From Bollywood to the Emergency |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc. |
Bloomington, Ind.: |
| Name of publisher, distributor, etc. |
Indiana University Press; |
| Place of publication, distribution, etc. |
Chesham: |
| Name of publisher, distributor, etc. |
Combined Academic [distributor], |
| Date of publication, distribution, etc. |
2009. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 441 p.: |
| Other physical details |
ill.; |
| Dimensions |
24 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references (p. [401]-427) and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
THE ARGUMENT<br/>0 A Theory of Cinema that Can Account for Indian Cinema<br/>THE EVIDENCE<br/> ’Bollywood’ and the Performing Citizen<br/>1 ’Bollywood’ 2004: The Globalized Freak Show of<br/>What Used to Be Cinema<br/>2 When Was Bollywood?: Textual and Historical Discrepancies<br/>3 The Cinema-Effect 1: Cultural Rights versus the Production of Authenticity<br/>4 The Cinema-Effect 2: Social Lineages, Spectatorial Ability<br/>The Cinema-Effect and the State<br/>5 Administering the Symbols of Authenticity Production, and Revisiting a 1990s Controversy<br/>6 ’You Can See without Looking’: The Cinematic ’Author’ and Freedom of Expression in Cinema<br/>7 ’People-Nation’ and Spectatorial Rights: The Political<br/>’Authenticity-Effect’, the Shiv Sena and a Very Bombay History<br/>1970s Questions: The ’Cinema-Effect’,<br/>the National-Symbolic and the Avant Garde<br/>8 The Detour of the Nation:<br/>Realist Complicities, Nationalist Excesses<br/>9 The Indian Emergency: Aesthetics of State Control<br/>10 The Problem: A ’Co-production of Modernities’<br/>11 The Mechanism: ’Taking’ the Shot<br/>The Practice: Two Films and a Painting<br/>12 Bhupen Khakhar’s List: Revisiting View from the Teashop<br/>13 Mani Kaul and the ’Cinematic Object’: Uski Roti<br/>and the Rulebook of Cinema<br/>14 Gautam Chose’s Maabhoomi: Territorial Realism and<br/>the ’Narrator’<br/>15 The Cinema-Effect: A Concluding Note |
| 650 #0 - SUBJECT |
|---|
| Keyword |
Motion pictures |
| General subdivision |
Political aspects |
| Geographic subdivision |
India. |
| 650 #0 - SUBJECT |
|---|
| Keyword |
Motion pictures |
| General subdivision |
Social aspects |
| Geographic subdivision |
India. |
| 650 #0 - SUBJECT |
|---|
| Keyword |
Motion pictures |
| Geographic subdivision |
India |
| General subdivision |
History. |
| 650 #0 - SUBJECT |
|---|
| Keyword |
Socialism and motion pictures |
| Geographic subdivision |
India. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
General Books |
