Bombay Before Bollywood: Film City Fantasies (Record no. 210399)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03110nam a2200217Ia 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20221123153734.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220128s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781438456768 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.430954 |
| Item number | THO/B |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Thomas, Rosie |
| 9 (RLIN) | 6186 |
| 245 #0 - TITLE STATEMENT | |
| Title | Bombay Before Bollywood: Film City Fantasies |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | Unite states of America: |
| Name of publisher, distributor, etc. | Suny Press, |
| Date of publication, distribution, etc. | 2013. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 346p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | ontents --<br/>List of Tables and Figures --<br/>Credits --<br/>Acknowledgments --<br/>Chapter 1 Bombay before Bollywood: Film City Fantasies --<br/>The Challenge --<br/>Bombay Before Bollywood --<br/>Towards Some Alternative Histories --<br/>Looking Back: The Longer View --<br/>Notes --<br/>Part One: Introduction to Part One --<br/>Notes --<br/>Chapter 2 Thieves of the Orient: The Arabian Nights in Early Indian Cinema --<br/>The Arabian Nights in India: Circulation and Adaptation --<br/>Lal-E-Yaman (1933) and Noor-E-Yaman (1935) --<br/>Orientalism and the Islamicate --<br/>The Appeal --<br/>Notes Chapter 3 Distant Voices, Magic Knives: Lal-e-Yaman and the Transition to Sound in Bombay CinemaBackground --<br/>Production --<br/>Success --<br/>The Disembodied Voice --<br/>Sound and Vision --<br/>Modernities --<br/>Notes --<br/>Chapter 4 Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts --<br/>Early Years of Bombay Cinema --<br/>Wadia Movietone and Nadia --<br/>Nationalist Politics --<br/>Two Visions --<br/>The Nadia Persona --<br/>Diamond Queen --<br/>Mimicry --<br/>Notes --<br/>Chapter 5 Zimbo and Son Meet the Girl with a Gun --<br/>Introduction --<br/>Remakes and Hollywood --<br/>Basant Studios Toofani Tarzan: India's 1937 Super Hit'Indianisation' --<br/>Tarzan and Leela --<br/>Tarzan's Appeal in India --<br/>Girls, Guns and the Basant Brand --<br/>Notes --<br/>Chapter 6 Still Magic: An Aladdin's Cave of 1950s B-Movie Fantasy --<br/>Magical Worlds --<br/>Arabian Nights --<br/>A Fabulous Orient --<br/>Brute Strength --<br/>An Enchanted Gaze --<br/>Notes --<br/>Part Two: Introduction to Part Two --<br/>Notes --<br/>Chapter 7 Where the Money Flows, the Camera Rolls --<br/>Introduction --<br/>Financing Film Production --<br/>Credit --<br/>Financiers --<br/>World Rights Control --<br/>Territorial Mortgage Hundi or 'Time Bill'Distributors --<br/>Minimum Guarantee --<br/>Advance --<br/>Outright --<br/>Territories --<br/>Exhibitors --<br/>Organisation of Film Production --<br/>Terms of Employment --<br/>The Producer --<br/>Setting up a Production --<br/>Consequences of the Bombay System of Production --<br/>Consequences of the Black Economy --<br/>Distribution/Exhibition Strangleholds --<br/>Consequences for Film Form and Content --<br/>Notes --<br/>Chapter 8 Indian Cinema: Pleasures and Popularity --<br/>Narrative --<br/>Verisimilitude --<br/>The Spectator --<br/>Notes Chapter 9 Sanctity and Scandal: The Mythologisation of Mother IndiaThe Film --<br/>Background Reading --<br/>The Star --<br/>Notes --<br/>Chapter 10 Mother India Maligned: The Saga of Sanjay Dutt --<br/>Introduction --<br/>Sadak --<br/>The Star�Sanjay Dutt --<br/>Khalnayak --<br/>Coda --<br/>Notes --<br/>References and Select Bibliography --<br/>Newspapers & Magazines -- |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | PERFORMING ARTS -- Reference. |
| 9 (RLIN) | 6188 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Motion pictures. |
| 9 (RLIN) | 6189 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Source of classification or shelving scheme | |
| Koha item type | General Books |
| 947 ## - LOCAL PROCESSING INFORMATION (OCLC) | |
| a | 2700.68 |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Source of acquisition | Cost, normal purchase price | Full call number | Barcode | Date last seen | Cost, replacement price | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 01/04/2022 | 68 | 1276.00 | 791.430954 THO/B | 051279 | 01/04/2022 | 1595.00 | 01/04/2022 | General Books |