Television sports production/ (Record no. 190325)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03907nam a2200145Ia 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138781306 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 070.4497960973 |
| Item number | OWE/T |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Owens, Jim |
| 245 #0 - TITLE STATEMENT | |
| Title | Television sports production/ |
| Statement of responsibility, etc. | Jim Owens |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 5th ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | New York: |
| Name of publisher, distributor, etc. | Focal Press, |
| Date of publication, distribution, etc. | 2015. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 276 p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | PART 1 INTRODUCTION TO REMOTE PRODUCTION<br/>What is Remote Production?<br/>Live-to-Tape 4<br/>Remote versus Studio Production 4<br/>Television Sports Personnel<br/>Personnel Descriptions 7<br/>Freelance Personnel 16<br/>What is Television?<br/>Defining Television 21<br/>MultiplatForm Television 22<br/>Platform Integration 23<br/>How is Television Changing? 24<br/>Television Formats 25<br/>Future Television: What Will Come Next? 29<br/>The Second Screen and Social Media<br/>What Makes a Good Second Screen? 32<br/>Social Media 38<br/>Balancing the Budget 39<br/>The Mobile Production Unit<br/>The Remote Truck Mobile Unit 43 ^<br/>Inside a Remote Truck 47<br/>Outside the Remote Truck 49<br/>The Compound 49<br/>Virtual Remote Production 51<br/>The Flypack 52<br/>All-in-One Mobile Production Unit 53<br/>Computer-Based Mobile Production Unit 55<br/>Communication Devices 56<br/>PART 2 PLANNING<br/>Planning the Production<br/>Coordination Meetings 62<br/>Remote Surveys 63<br/>The Contacts 64<br/>Venue Access 65<br/>Location Costs 65<br/>Eiectrical Power 65<br/>Other Areas for Survey Consideration 65<br/>Program Transmission 67<br/>Other Areas that Significantly Impact the Survey 71<br/>Location Sketch 71<br/>Backup Plans 71<br/>Cameras<br/>Camera Placement 75<br/>Types of Cameras 76<br/>Camera Setup Checklist 88<br/>Camera Shots 88<br/>Camera' Movement 89<br/>Camera/Lens Moves 90<br/>Shooting Sports 93<br/>Composition 93<br/>Caring for the Camera 95<br/>Lighting<br/>indoor Venue 97<br/>Outdoor Venue 97<br/>Other Lighting Concerns 98<br/>Audio Production<br/>Stereo Audio for Television 103<br/>Basic 5.1 Surround Sound 104<br/>Audio Levels 105<br/>Microphone Pickup Patterns 105<br/>Microphone Sound-Generating Elements 105<br/>Types of Microphones 106<br/>Phantom Power \ \2:<br/>Microphone Accessories 1 12<br/>Microphone Placement 1 14<br/>Gamestime Audio 1 17<br/>Communications (Intercom) Systems 1 19<br/>Prerecorded Audio 121<br/>Graphics<br/>Television Graphics Goals 124<br/>Tips on Making Great TV Graphics 126<br/>Viewer Enhancement Tools 127<br/>Technology Summary 130<br/>Preproduction and Setup<br/>Production Meetings 131<br/>The Show Format 131<br/>Equipment Setup 133<br/>Cabling 133<br/>Camera Meetings 134<br/>Facilities Check; 140<br/>Schedule 141 -;<br/>Rehearsals 142<br/>PART 3 CREATING THE PRODUCTION<br/>The Production<br/>Producing the Remote 147<br/>Directing the Remote 148<br/>Types of Sports;Action 148<br/>Action Flow 148 ;<br/>Stop-and-Go Sports 149<br/>Directing Stop-and-Go Action 149<br/>Directing Emphasis on Scoring 151<br/>Pumping 152''<br/>Continuous Action Sports 153<br/>Camera Action Tends to Be Rapid 155<br/>Increase in Shot Size 155 s<br/>Camera Changes During Action 155<br/>Team and Individual Sports 156<br/>Building Emotional involvement 156<br/>Dealing with the Dominant Player 157<br/>Limited Space for Coverage 157<br/>Horizontal versus Vertical versus Circular Action 158<br/>Coverage Design 161<br/>Needs of the Audience 161<br/>Directing Style 162<br/>Facilities and Coverage 163<br/>Directing Cameras 163<br/>Directing Replays 166<br/>Directing Graphics 169<br/>Shading 169<br/>The Crew 169<br/>Directing: Telling the Story<br/>Understanding Story 172<br/>"We Are Going to Add Show Business to Television Sports" 172<br/>The Sports Director's Role as a Storyteller 173<br/>Equipment Enhancement 174<br/>Directing is Like Conducting a Symphony 175<br/>Sports Announcing<br/>Play-by-Play Sportscast Training 1 79<br/>Research 180<br/>Television Announcer Sports Cliches 183<br/>Announcers and the Broadcast Booth 183<br/>Interviews 184<br/>spotters 187<br/>Post production<br/>Editing Guidelines 191<br/>Production Safety<br/>Trips and Slips 196<br/>Weight 196<br/>Hearing 196<br/>Electrical Power 196<br/>Cables , 198<br/>Weather 198<br/>Heights' r98<br/>Hazardous Areas 199<br/>Budgeting for the Remote<br/>Budgeting Case Study 201<br/>PART 4 HISTORY OF SPORTS TELEVISION<br/>Milestones in Sports Broadcasting |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | General Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | 15/09/2016 | 070.4497961 OWE/T | 044952 | 15/09/2016 | General Books |