The filmmaker's guide to digital imaging: for cinematopraphers,digital imaging technicians and camera assistants/ (Record no. 190163)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03271nam a2200133Ia 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780415854115 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 777.6 |
| Item number | BRO/F |
| 245 #4 - TITLE STATEMENT | |
| Title | The filmmaker's guide to digital imaging: for cinematopraphers,digital imaging technicians and camera assistants/ |
| Statement of responsibility, etc. | Brown, Blain |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | New York: |
| Name of publisher, distributor, etc. | Focal Press, |
| Date of publication, distribution, etc. | 2015. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 295 p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Dedication<br/>introduction<br/>sensors & cameras<br/>The Digital Signal Path<br/>HDandUHD<br/>Viewing Stream<br/>OLPF<br/>Digital Sensors<br/>Photosites<br/>Demosalcing/DeBayerIng<br/>How Many Pixels Is Enough?<br/>What Color Is Your Sensor?<br/>Sensor Size and Depth-of-Field<br/>Shutters<br/>Noise<br/>ISO In Digital Cameras<br/>IR and Hot Mirror Filters<br/>the digital image<br/>Cookie Dough and The History of HD.<br/>Digital Negative<br/>Chroma Subsampling<br/>Types of Video<br/>Frame Rates<br/>A Little Math Review<br/>measurement<br/>Measuring the Image<br/>The Waveform Monitor<br/>Test Methodology<br/>Hue/Phase<br/>TheVectorscope<br/>Color Bars In Detail<br/>Types of Waveform Monitors<br/>Using the Waveform On Set<br/>Using the Vectorscope On the Set<br/>Video Test Cards<br/>Calibration Test Charts<br/>Measuring Image Resolution<br/>linear, gamma, log<br/>Dynamic Range<br/>Linear Response<br/>Film Gamma and Video Gamma<br/>Rec.709 ^ y ■<br/>The Code 100 Problem<br/>Gamma Control In Traditional HD ..<br/>Another Approach<br/>The Inefficiency of Linear<br/>Log Encoding<br/>Proprietary Log Curves...<br/>18% Gray In Log<br/>Picture Rendering<br/>exposure<br/>Exposure Theory<br/>The Response Curve<br/>Video Exposure<br/>The Tools<br/>A Different World of Exposure<br/>Setting Exposure With the Waveform Monitor<br/>Camera Exposure Indicators<br/>Philosophy and Strategy of Exposure<br/>Black Magic Camera Exposure Advice<br/>HDR<br/>digital color<br/>The Visual Interface<br/>Color Models<br/>TheCIE Diagram<br/>Gamut<br/>Video Color Spaces<br/>AMPASACES Color Space<br/>ColorTransforms<br/>The Matrix<br/>Metamerism<br/>codecs & formats<br/>Video File Formats<br/>Wrappers, Stacks, Containers and Codecs.<br/>Digital Compression Codecs<br/>Types of Compression<br/>Codecs<br/>Compression Technologies<br/>Floating Point<br/>Compression Artifacts ...,<br/>image control & grading<br/>AttheDITCart<br/>Color Correction and Color Grading<br/>Controllers and Control Surfaces<br/>Control Parameters<br/>Color Space<br/>Color Control<br/>Vectors<br/>Exporting and Reusing Gr;<br/>LUTs And Looks<br/>Viewing LUTs<br/>LUTs and Looks: What's the Difference?...!<br/>Poynton's Fourth Law<br/>the DIT cart<br/>Things To Think About In Planning a Cart.<br/>Mobility<br/>Power<br/>Video and Data Cables<br/>Moving Around On The Set<br/>Failover<br/>Rac|< Mount<br/>data management<br/>Data Management<br/>Basic Principles<br/>Procedure — Best Practices<br/>Logs<br/>File Management<br/>File Naming<br/>Download/Ingest Software<br/>Proprietary Data Management Software..<br/>External Recorders<br/>Hard Drives & RAIDS<br/>How Much Storage Do You Need?<br/>Long Term Storage<br/>Moving The Data<br/>workflow<br/>The Digital Camera Crew<br/>The Job oftheDIT<br/>Working With the DP<br/>The Meeting<br/>DIT Workflow<br/>Interfacing With Other Departments<br/>Monitor Outputs<br/>Deliverables<br/>Files For Post and VFX<br/>Camera Specific Workflows<br/>Industry Standard Workflows<br/>Ten Numbers: ASC-CDL<br/>ACES: What It Is, What It Does<br/>The History of ACES<br/>The Transforms<br/>metadata & timecode<br/>What is Timecode?<br/>Other Types of Metadata<br/>XML<br/>Metadata From Rigs<br/>Metadata at the DiT Cart<br/>references<br/>acknowledgements<br/>Acknowledgements<br/>About the Author |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | AC Sinha Collection |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 15/09/2016 | 777.6 BRO/F | 042139 | 15/09/2016 | General Books |