The editor's toolkit: A hands on guide to the craft of film and tv editing/ (Record no. 190159)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04881nam a2200133Ia 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781138903371 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 777.55 |
| Item number | WAD/E |
| 245 #4 - TITLE STATEMENT | |
| Title | The editor's toolkit: A hands on guide to the craft of film and tv editing/ |
| Statement of responsibility, etc. | Wadsworth, Chris |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | New York: |
| Name of publisher, distributor, etc. | Focal Press, |
| Date of publication, distribution, etc. | 2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 252 p. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Foreword by Simon Ashcroft xiii<br/>Acknowledgements xiv<br/>Chapter 1. What Is This All About? 1<br/>1.1 A Brief Introduction 2<br/>1.2 Do You Really Want to Be an Editor? 2<br/>1.3 Why You Might Just Listen to Me 4<br/>1.4 My Background 5<br/>1.5 How to Use This Book and Its Data 6<br/>1.6 Let's Get Limbered Up—Material for<br/>the Exercises 6<br/>1.7 How to Join This Happy Band 16<br/>Chapter 2. Shots, Our Building Blocks 17<br/>2.1 Shot Sizes 17<br/>2.2 How the Shot Moves 23<br/>2.3 What the Shot Does 24<br/>2.4 Special Shots 31<br/>Chapter 3. Joining Shots Together 33<br/>3.1 The Mechanics 33<br/>3.2 Joining Shots Together, the Don'ts 34<br/>3.3 Key Points—Joining Shots Together, the Don'ts 41<br/>3.4 Joining Shots Together, the Dos 42<br/>3.5 Key Points—Joining Shots Together, the Dos 52<br/>Chapter 4. Dealing with Dialogue 53<br/>4.1 Fundamentals of Editing Speech 53<br/>4.2 Rhythm of the Spoken Word 56<br/>4.3 Editing Dialogue 58<br/>4.4 Key Points—Dealing with Dialogue 60<br/>Chapter 5. Creating Sequences 62<br/>5.1 Pace and Timing 62<br/>5.2 Eliminating Unnecessary Pauses 64<br/>5.3 Continuity 66<br/>5.4 Cutaways 69<br/>5.5 Flow 72<br/>5.6 Time Jumps 75<br/>5.7 Editing without Dialogue 78<br/>5.8 Key Points—Creating Sequences 79<br/>Chapter 6. Scene Construction 00<br/>6.1 Where to Start? 80<br/>6.2 Scene Assembly Fundamentals 81<br/>6.3 Key Points—Scene Construction 90<br/>Chapter 7. Joining Scenes Together 92<br/>7.1 Scene Transitions—A Look at the Range of Possibilities . . .92<br/>7.2 Repeated Transitions—Cross-Cutting (or Parallel Action) .104<br/>7.3 Key Points—Joining Scenes Together 105<br/>Chapter 8. Different Programme Styles 107<br/>8.1 Comedy Shows 107<br/>8.2 Panel and Game Shows 110<br/>8.3 Interviews and Chat Shows 112<br/>8.^ Documentaries 113<br/>8.5 Trailers and Promotions 115<br/>8.6 Key Points—Different Programme Styles 116<br/>Chapter 9. Sound Matters 119<br/>9.1 Get the Room Right 119<br/>9.2 Sound Levels 120<br/>9.3 Sound Monitoring 122<br/>9.6 Split Tracks 124<br/>9.5 Wild Tracks 125<br/>9.6 Sound Effects 126<br/>9.7 Sound Mixing 128<br/>9.8 Sub-Frame Editing 130<br/>9.9 Sound Processing 130<br/>9.10 More Specialised Sound Processing 133<br/>9.11 Additional Dialogue Recording 134<br/>9.12 Foley Sound Effects 135<br/>9.13 Key Points—Sound Matters 136<br/>Chapter 10. Music, Music, Music 137<br/>10.1 An Introduction to Music in the Movies 137<br/>10.2 A Brief History of Music in the Movies 138<br/>10.3 Back to Practicalities 142<br/>10.4 A Spoonful of Music Theory 143<br/>10.5 Key Points—Music, Music, Music 147<br/>Chapter 11. Scenes of Style 148<br/>11.1 Flashbacks 148<br/>11.2 Flashbacks—Examples 149<br/>11.3 Dreams and Nightmares 150<br/>11.4 Dream and Nightmare—Examples 152<br/>11.5 Action Sequences 154<br/>11.6 Action Sequence—Examples 155<br/>11.7 Montage with and without Music 158<br/>11.8 Montage—Examples 159<br/>11.9 Reconstructions 162<br/>11.10 Some Exercises for You to Try 164<br/>Chapter 12. Video Manipulation<br/>12.1 Motion Effects lyg<br/>12.2 Keying<br/>12.3 Types of Key—Luminance. Chroma.<br/>and Matte 174<br/>12.4 Graphics<br/>12.5 Multiple Images i0q<br/>12.6 Multilayer Video Sticking Plaster 131<br/>12.7 Colour Correction 133<br/>12.8 Effects—Those You Should Carry with You 188<br/>12.9 Key Points—Video Manipulation 189<br/>Chapter 13. Editorial Responsibility 191<br/>13.1 Editorial Responsibility-An Introduction ... "' ". '.191<br/>13.2 Taste and Decency ^(^2<br/>13.3 The Range of Compliance Categories 193<br/>13.4 Other Compliance Issues 19^<br/>13.5 A Look at Copyright .,95<br/>13.6 Key Points-Editorial Responsibility<br/>Chapter 14. Timescales ...<br/>14.1 Past and Present<br/>U.2 An Editing Schedule for Still Open All Hours |20U|''' J98<br/>14.3 An Editing Schedule for 1?ockn Ch/ps 120101 199<br/>1 Oy<br/>Chapter 15. Projects—Crossing Tsand<br/>Dotting Is 202<br/>15.1 Bin Management 202<br/>15.2 Media Management 20A<br/>15.3 Timeline Management 205<br/>15.4 Your Assistant and You 207<br/>15.5 Capturing Multicamera Material 207<br/>15.6 Labelling Clips Sensibly 209<br/>15.7 Keeping a Copy 209<br/>15.8 Clock Information 209<br/>15.9 Top and Tails: Leaders, Titles, and<br/>Clean Elements 210<br/>15.10 Scripts 212<br/>15.11 Panning and Scanning 214<br/>15.12 Offline and Online 215<br/>15.13 Tapeless 216<br/>15.14 Key Points—Projects—Crossing<br/>Ts and Dotting Is 217<br/>Chapter 16. The Final Days 219<br/>16.1 Handover 219<br/>16.2 Elements That Are Worth Keeping 220<br/>Chapter 17. My Last Bits of Advice 222<br/>17.1 The Day-to-Day Use of the Edit Suite 222<br/>17.2 Is That All Right? 225<br/>17.3 You're the Host 225<br/>17.4 Attitude 225<br/>17.5 CVs 226<br/>Chapter 18. In Conclusion 227<br/>Appendix 1. Loading the Exercise Media 229<br/>Appendix 2. A List of the Exercises 233<br/>Appendix 3. My CV 239<br/>Appendix 4. Abbreviations 241<br/>Index 243 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | AC Sinha Collection |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 15/09/2016 | 777.55 WAD/E | 042134 | 15/09/2016 | General Books |