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/. DI'JLINEATING: CHITl IRE-MASS-POPHLAR<br/>1. Raymond Williams. 'Culture' and 'Masses'<br/>From: Keyivords: A Vocabulary of Culture and Society.<br/>London: Fontana Press, 1976.<br/>2. F.R. Leavis. 'Mass Civilisation and Minority Culture'<br/>From: Mass Civilisation and Minority Culture. Cambridge:<br/>Minority Press, 1930.<br/>3. Dwight Macdonald. 'A Theory of Mass Culture'<br/>From: Mass Culture: The Popular Arts in America.<br/>Ed. Bernard Rosenberg and David Manning White. New York:<br/>The Free Press, 1957.<br/>4. Tania Modleski. 'Femininity as Mas[slquerade:<br/>A Feminist Approach to Mass Culture'<br/>PTom: Pligh Theory/Low Culture: Analyzing Popular Television<br/>and Film. Ed. Colin MacCabe. Manchester: Manchester<br/>University Press, 1986.<br/>5. Morag Shiach. 'The Popular'<br/>From: Discourses on Popular Culture: Class, Gender and History<br/>in Cultural Analysis, 1730 to the Present. London: Polity Press, 1989.<br/>/<br/>6. Stuart Hall. 'Notes on Deconstructing<br/>"The Popular"'<br/>From: People's History and Socialist Theory.<br/>Ed. Raphael Samuel. London: Routledge, 1981.<br/>7. Juan Flores. ' "Pueblo Pueblo": Popular<br/>Culture in Time'<br/>From; From Bomba to Hip-Hop: Puerto Rican Culture<br/>and Latino Identity. New York: Columbia<br/>University Press, 2000.<br/>II. COMMODIFYING-. THE COMMODITY,<br/>CULTURE AND SOCIAL UFE<br/>8. Karl Marx. 'The Fetishism of Commodities<br/>and the Secret Thereof<br/>From: Capital: Volume One. A Critical Analysis of<br/>Capitalist Production (Orig. 1867). Reprinted in<br/>, The Marx-Engels Reader. R. Tucker (ed). London:<br/>W.W. Norton & Co. 1972.<br/>9. Walter Benjamin. 'The Work of Art in the Age<br/>of Mechanical Reproduction'<br/>From: Illuminations. Ed. H. Arendt and trans. H. Zohn.<br/>London: Fontana, 1992 (orig. 1936).<br/>10. Theodor W. Adorno. 'Culture Industry ><br/>Reconsidered'<br/>From: The Culture Industry: Selected Essays on Mass Culture.<br/>London: Routledge, 1991 (orig. English trans., 1975).<br/>11. Guy Dehord. 'The Commodity as Spectacle'<br/>From: Society of the Spectacle. Detroit, MI: Black<br/>and Red, 1970.<br/>12. Fredric Jameson. 'Reification and<br/>Utopia in Mass Culture'<br/>From: Signature of the Visible. London: Routledge, 1990.<br/>13. Lisa Lowe and David Lloyd. 'Introduction to<br/>The Politics of Culture in the Shadow of Late Capital'<br/>From: The Politics of Culture in the Shadow of Late Capital.<br/>Ed. Lisa Lowe and David Lloyd. Durham. NC:<br/>Duke University Press, 1997.<br/>lit. M/MiKI'lTING: SOCIO-KCONOMIC CONSIDERATIONS<br/>OF POPUI.AR CUFTURF<br/>14. Paul Smith. 'Tommy Hilfiger in the Age<br/>of Mass Customization'<br/>From: No Sweat: Fashion, Free Trade, and the Rights of<br/>Garment Workers. Ed. Andrew Ross. New York: Verso, 1997.<br/>15. Ellis Cashmore. 'America's Paradox'<br/>From: The Black Culture Industry. London: Routledge, 1997.<br/>/<br/>16. Inderpal Grewal. 'Traveling Barbie: Indian<br/>Transnationality and New Consumer Subjects'<br/>From: positions 7.3, 1999.<br/>17. Janet Wasko. 'Corporate Disney in Action'<br/>From: Understanding Disney: The Manufacture of Fantasy.<br/>Cambridge: Polity, 2001.<br/>18. Henry Yu. 'How Tiger Lost His Stripes:<br/>Post-Nationalist American Studies as a History of Race,<br/>Migration, and the Commodification of Culture'<br/>From: Post-Nationalist American Studies. Ed. J.C. Rowe. Berkeley, CA:<br/>University of California Press, 2000.<br/>I\. PRACTlCtNG: POPl I,AR TASl FS AND<br/>WAYS OF CO.NSUMINC<br/>19. John Fiske. 'Popular Discrimination'<br/>From: Modernity and Mass Culture. Ed. James Naremore<br/>and Patrick Brantlinger. Bloomington, IN:<br/>Indiana University Press, 1991.<br/>20. Laura Kipnis. '(Male) Desire and (Female) Disgust:<br/>Reading Hustler'<br/>From: Cultural Studies. Ed. Lawrence Grossberg et al.<br/>London: Routledge, 1992.<br/>21. Paul Willis. 'Symbolic Creativity'<br/>From: Common Culture: Symbolic Work at Play in the Everyday<br/>Cultures of the Young. Milton Keynes; Open University Press, 1990.<br/>22. Henry Jenkins. 'Star Trek Rerun, Reread, Rewritten:<br/>Fan Writing as Textual Poaching'<br/>From: Close Encounters: Film, Feminism, and Science<br/>Fiction. Ed. Constance Penley et al. Minneapolis, MN:<br/>University of Minnesota Press, 1991.<br/>23. Joan Hawkins. 'Sleaze Mania, Euro-Trash<br/>and High Art: The Place of European Art Films<br/>in American Low Culture' /<br/>From: F/im Quarfer/y 53.2, 2000.<br/>V. VOICING. IDENTl riES AND ARTICULATION<br/>24. Stuart Hall. 'What is this "Black" in Black<br/>Popular Culture?'<br/>From: Black Popular Culture. Ed. Gina Dent. Seattle, WA:<br/>Bay Press, 1992.<br/>25. Gayatri Gopinath. '"Bombay, UK, Yuha City":<br/>Bhangra Music and the Engendering of Diaspora'<br/>From: Diaspora 4.3, 1995.<br/>26. Lauren Berlant. 'The Face of America and<br/>the State of Emergency'<br/>From: The Queen of America Goes to Washington City: Essays on<br/>Sex and Citizenship. Durham, NG: Duke University Press, 1997.<br/>27. Jose Estehan Munoz. 'Pedro Zamora's Real World of<br/>Counterpuhlicity: Performing an Ethics of the Self<br/>From: Disidentifications: Queers of Color and the Performance of<br/>Politics. Minneapolis, MN: University of Minnesota Press, 1999,<br/>28. Richard Fung. 'Looking for My Penis: The Eroticized<br/>Asian in Gay Video Porn'<br/>From: How Do I Look? Queer Film and Video. Ed. Bad-Object<br/>Choices. Seattle, WA: Bay Press, 1991.<br/>17. STiXING: SIiBClILTIJRE AND POPULAR<br/>PERFORMANCE<br/>29. Dick Hebdige. 'Subculture'<br/>From: Subculture: The Meaning of Style. London:<br/>Routledge, 1979.<br/>30. Angela McRobbie. 'Second-Hand Dresses<br/>and the Role of the Ragmarket'<br/>From: Zoot Suits and Second-Hand Dresses:<br/>An Anthology of Fashion and Music. Ed. Angela McRobbie.<br/>Boston, MA: Unwin Hyman, 1988.<br/>31. Sarah Thornton. 'The Media Development<br/>of "Subcultures" (or the Sensational Story<br/>of "Acid House")'<br/>From: Club Cultures: Music, Media and Subcultural Capital.<br/>Hanover, NH: Wesleyan University Press, 1996.<br/>32. Tricia Rose. 'A Style Nobody Can Deal With:<br/>Politics, Style and the Postindustrial City in Hip Hop'<br/>From: Microphone Fiends: Youth Music and Youth Culture.<br/>Ed. Andrew Ross and Tricia Rose. New York and London:<br/>Routledge, 1994.<br/>33. Cynthia Fuchs. 'If I Had a Dick: Queers, Punks,<br/>and Alternative Acts'<br/>From: Mapping the Beat: Popular Music and Contemporary<br/>Theory. Ed. Thomas Swiss, John Sloop and<br/>Andrew Herman. Oxford: Blackwell Publishers, 1998.<br/>34. Judith Halberstam. 'Drag Kings: Masculinity<br/>and Performance'<br/>From: Female Masculinity. Durham, NC: Duke<br/>University Press, 2000.<br/>VII. LOCATING: SPACE, PLACE, AND POWER<br/>35. Michel de Certeau. 'Walking in the City'<br/>From: The Practice of Everyday Life. Berkeley, CA:<br/>University of California Press, 1984.<br/>36. Michael Nevin Willard. 'Seance, Tricknowlogy,<br/>Skateboarding, and the Space of Youth'<br/>From: Generations of Youth: Youth Cultures and History in<br/>Twentieth-Century America. Ed. Joe Austin and Michael Nevin<br/>Willard. New York: New York University Press, 1998.<br/>37. Victor Hugo Viesca. 'Straight Out the Barrio: Ozomatli and<br/>the Importance of Place in the Formation of Chicano/a<br/>Popular Culture in Los Angeles'<br/>From: Cultural Values 4.4 (October), 2000.<br/>/<br/>38. Paul Gilroy. 'Wearing Your Art on Your Sleeve: Notes<br/>Towards a Diaspora History of Black Ephemera'<br/>From: Small Acts: Thoughts on the Politics of Black Cultures.<br/>London: Serpent's Tail, 1993.<br/>39. George Lipsitz. 'Diasporic Noise: History, Hip Hop,<br/>and the Post-Colonial Politics of Sound'<br/>From: Dangerous Crossroads: Popular Music, Postmodernism and<br/>The Poetics of Place. New York and London: Verso, 1994.<br/>40. Lisa Nakamura. 'Head-Hunting on the Internet: Identity<br/>Tourism, Avatars, and Racial Passing in Textual and<br/>Graphic Chat Spaces'<br/>From: Cybertypes: Race, Ethnicity, and Identity on the Internet.<br/>London: Routledge, 2002. |
