Music in South India: the Karnatak concert tradition and beyond: experiencing music, expressing culture/ (Record no. 165570)
[ view plain ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01504cam a22003254a 4500 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780195145915 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | CUS |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 780.9548 |
| Item number | VIS/M |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Viswanathan, T. |
| 245 10 - TITLE STATEMENT | |
| Title | Music in South India: the Karnatak concert tradition and beyond: experiencing music, expressing culture/ |
| Statement of responsibility, etc. | T. Viswanathan, Matthew Harp Allen. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc. | New York : |
| Name of publisher, distributor, etc. | Oxford University Press, |
| Date of publication, distribution, etc. | 2004. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xxv, 150 p.: |
| Other physical details | ill. ; |
| Dimensions | 21 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE | |
| Bibliography, etc | Includes bibliographical references (p. 135-142) and index. |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 1. Song in South India<br/>Bhajan (Devotional Song)<br/>Songs and Singing<br/>Meaning of the Text: Devotion, Love, and Praise<br/>Celebrating Tyagaraja in the United States and in South India<br/>Languages of the Region<br/>Kriti<br/>Evolution of Kriti<br/>Text and Context-a Continuum of Performance from Devotion to Virtuosity<br/>Music, Language, and Politics<br/>The Tamil Music Movement<br/>Muttuttandavar (Seventeenth Century)<br/>The Text of "I Trusted You/Unnai Nambinen" (CD Track 3)<br/>The Musical Setting of "I Trusted You/Unnai Nambinen" (CD Track 3)<br/>The Group's Progress Through the Kriti<br/>The Ensemble<br/>The Instruments<br/>Violin (Chordophone)<br/>Mridari gam (Membranophone)<br/>Tambura (Chordophone) and Its Sruti, Drone, Function<br/>Summary<br/>2. Key Concepts in Karnatak Music<br/>Tala: Meter and Rhythm in Karnatak Music<br/>The Five "Families" of Rhythm and Drummers Thinking<br/>Hand Gestures and Vocalized Syllable Sequences for Commonly Used Talas<br/>Tala Exercises in Three Speeds<br/>Raga: Melody in Karnatak Music<br/>Scale<br/>Note (Svara) and Solfege Syllable Names<br/>Kiravani and Kapi Ragas: Raga as a "Vast Ocean"<br/>Ornamentation (Gamaka)<br/>Phrase (Sancara or Prayoga)<br/>Phrases in Kiravani and Kapi Ragas<br/>Functional Notes-Svaras holding Particular Functions<br/>Integrated Melodic-Rhythmic Training<br/>Summary<br/>3. The Karnatak Concert Today<br/>Presentation and Discussion of the "Main Piece" of a Concert<br/>The Setting<br/>Tuning Up<br/>Beginning<br/>Kriti as an Orally Transmitted Composed Case of a Performance<br/>Brief Guide to the Performance<br/>Composition and Improvisation: Fixity and Fluidity<br/>Kiravani Raga Alapana<br/>Aesthetics and Dynamics of Accompaniment<br/>Kriti: The Core Component<br/>The Pallavi<br/>The Anupallavi and Pallavi reprise<br/>The Caraname and Pallavi Reprise<br/>Niraval<br/>Svara Kalpana<br/>Different Ways to Improvise: A Comparison of Niraval and Svara Kalpana<br/>Tani Avarttanam-Drum Solo<br/>Summary<br/>4. Contextualizing South Indian Performance, Socially and Historically<br/>Women and Music: The Devadasi and Her Community<br/>Women's Public Performance Circa 1900<br/>Loss and Recovery of a Woman's Work<br/>"Now We Women have a Platform to Commence Singing"-Bangalore Nagarathnammal and the Tyagaraja Festival<br/>Bangalore Nagarathnammal as a Performer<br/>Sringara bhakti: Being in Love with God<br/>Listening through the Static: The Rise of Audio Recording<br/>Men and Music: From Temple and Court to Public and State Patronage<br/>Men's Performance in Precolonial South India<br/>The Hereditary Male Temple Service Musician<br/>The "Emperor of Nagasvaram": T.N. Rajarattinam Pillai<br/>"The Audience Would Not Be Satisfied If He Did Not Play This Raga"<br/>Alapana in Todi Raga<br/>A New World of Performance: Concert Halls, Media and Audiences in the Urban Environment<br/>The Development of Radio<br/>The Recording Industry: Commodification and Resistance<br/>"The Effect of the Performance Should Be Such As to Keep the Listeners Spell-Bound"<br/>Men Scripting and Singing Women's Inner Feelings<br/>A Hereditary Music Family<br/>A Dual Musical Enculturation and Education<br/>"I Am Going to Snub These Male Chauvinists"<br/>Music and Gender Today<br/>Summary: An Ancient and Modern Tradition of Musical-Social Behavior<br/>5. Regional and Modern Traditions: Contemporary Music Making in South India and Beyond<br/>Music in Kerala<br/>Idakka, a Pressure Drum from Kerala<br/>Kathakali Dance Drama<br/>Character Types, Costume, and Makeup<br/>Changes in the Twentieth Century<br/>The Kathakali Music Ensemble<br/>Kathakali Songs: Slokam and Padam<br/>Performance of Padam form Hala Caritam<br/>Music of the Cinema in South India<br/>The "Company Drama" and the Silent Cinema<br/>Early Sound Films: The "Mythological"<br/>The "Social"<br/>The Playback Singer<br/>The Cinema and Karnatak Music: A Parting of Ways<br/>"When I Say Come/Ba Ennalu"<br/>Cross-Cultural Composition and Collaboration<br/>"Can There Be Release/Moksamu Galada?"<br/>Tatva, a Regional Performance Tradition in Karnataka State<br/>The Deccan Plateau: Meeting of North and South India<br/>The Kannada Tatva Composer Sharif Saheb<br/>Hindu-Muslim Relations in Karnataka State<br/>Katha Performers of the Kinnari Jogi Community<br/>"Why Do You Worry/Yake Cinti?"<br/>A Circle Completed |
| 650 #0 - SUBJECT | |
| Keyword | Music |
| General subdivision | History and criticism. |
| Geographic subdivision | India |
| 650 #0 - SUBJECT | |
| Keyword | Carnatic music |
| General subdivision | History and criticism. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Allen, Matthew Harp. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | General Books |
| Withdrawn status | Lost status | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Full call number | Accession number | Date last seen | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Central Library, Sikkim University | Central Library, Sikkim University | General Book Section | 29/08/2016 | 780.9548 VIS/M | P20497 | 29/08/2016 | General Books |