The author's voice in classical and late antiquity /
edited by Marmodoro, Anna and Hill, Jonathan
The author's voice in classical and late antiquity / edited by Anna Marmodoro and Jonathan Hill - First edition. - New York: Oxford University Press, 2013. - xvii, 420 pages: illustrations; 22 cm.
Includes bibliographical references and index.
I. AUTHORS AND THEIR MANIFESTATIONS
1.1 The third person
1. The poet in the Iliad
Barbara Graziosi
2. Xenophon's and Caesar's third-person
narratives—or are they?
Christopher Felling
1.2 The dialogic voice
3. Listening to many voices: Athenian tragedy
as popular art
William Allan and Adrian Kelly
4. 'When I read my Cato, it is as if Cato speaks': the
birth and evolution of Cicero's dialogic voice
Sarah Culpepper Stroup
5. Author and speaker(s) in Horace's Satires 2
Stephen Harrison
1.3 The first person
6. 'I, Polybius': self-conscious didacticism?
Georgina Longley
7. Drip-feed invective: Pliny, self-fashioning, and
the Regulus letters
Rhiannon Ash
8. An I for an I: reading fictional autobiography
Tim Whitmarsh
II. AUTHORS AND AUTHORITY
9. Ille ego qui quondam: on authorial (an)onymity
Irene Peirano
10. Authorship and authority in Greek fictional letters
A. D. Morrison
11. Plato's religious voice; Socrates as godsent, in Plato
and the Platonists
Michael Erler
12. When the dead speak: the refashioning of Ignatius
of Antioch in the long recension of his letters
Mark Edwards
13. Ars in their 'I's: authority and authorship in
Graeco-Roman visual culture
Michael Squire
9780199670567 0199670560
Authorship--History
Greek literature--History and criticism.
Latin literature--History and criticism.
880.9 / MAR/A
The author's voice in classical and late antiquity / edited by Anna Marmodoro and Jonathan Hill - First edition. - New York: Oxford University Press, 2013. - xvii, 420 pages: illustrations; 22 cm.
Includes bibliographical references and index.
I. AUTHORS AND THEIR MANIFESTATIONS
1.1 The third person
1. The poet in the Iliad
Barbara Graziosi
2. Xenophon's and Caesar's third-person
narratives—or are they?
Christopher Felling
1.2 The dialogic voice
3. Listening to many voices: Athenian tragedy
as popular art
William Allan and Adrian Kelly
4. 'When I read my Cato, it is as if Cato speaks': the
birth and evolution of Cicero's dialogic voice
Sarah Culpepper Stroup
5. Author and speaker(s) in Horace's Satires 2
Stephen Harrison
1.3 The first person
6. 'I, Polybius': self-conscious didacticism?
Georgina Longley
7. Drip-feed invective: Pliny, self-fashioning, and
the Regulus letters
Rhiannon Ash
8. An I for an I: reading fictional autobiography
Tim Whitmarsh
II. AUTHORS AND AUTHORITY
9. Ille ego qui quondam: on authorial (an)onymity
Irene Peirano
10. Authorship and authority in Greek fictional letters
A. D. Morrison
11. Plato's religious voice; Socrates as godsent, in Plato
and the Platonists
Michael Erler
12. When the dead speak: the refashioning of Ignatius
of Antioch in the long recension of his letters
Mark Edwards
13. Ars in their 'I's: authority and authorship in
Graeco-Roman visual culture
Michael Squire
9780199670567 0199670560
Authorship--History
Greek literature--History and criticism.
Latin literature--History and criticism.
880.9 / MAR/A