Experience and meaning in music performance/

Experience and meaning in music performance/ edited by Martin Clayton, Byron Dueck, and Laura Leante - New York: Oxford University Press, 2013. - xi, 232 p. : ill. ; 24 cm.

Acknowledgements ; List of contributors ; About the companion web site ;

Chapter 1. Introduction (Martin Clayton, Byron Dueck and Laura Leante) ;

Chapter 2. Entrainment, ethnography and musical interaction (Martin Clayton) ;

Chapter 3. Social co-regulation and communication in North Indian duo performances (Nikki Moran) ;

Chapter 4. Groove: temporality, awareness and the feeling of entrainment in jazz performance (Mark Doffman) ;

Chapter 5. Performing the Rosary: meanings of time in Afro-Brazilian Congado music (Glaura Lucas) ;

Chapter 6. Performance and shame (Andy McGuiness) ;

Chapter 7. Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music (Byron Dueck) ;

Chapter 8. Imagery, gesture and listeners' construction of meaning in North Indian classical music (Laura Leante) ;

Chapter 9. Embodiment and movement in musical performance (Martin Clayton and Laura Leante) ; References

9780199811311


Ethnomusicology

781.11 / CLA/W
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